Drawings. Visual works.
Found in 1029 Collections and/or Records:
Series of two drawings - Wooden bridge to be built on principle of Long's frame bridge - India - surveyed by Robert Stevenson., 1839.
Series of two drawings - Working drawings of Pier - Lochmaddy, Hebrides - surveyed by D and T Stevenson., 1879.
Series of two - one drawing and one print by J Taylor - Timber bridges at atlbetlingen and Schaffhausen - Switzerland., 1799, undated.
Seven bifolia, possibly a fragment from a bound volume, containing a series of drawings depicting different stages in the construction of a church., 164?4.
Shān magico religious work, containing many references to the 'Vessantara-jātaka', and probably intended to instruct people how to gain victory over enemies - hatred, passion, illness, and evil spirits., ?19th century.
The work is composed in the metrical style called by the Shāns 'Līk Haw'. It is written in a character resembling the scripts used for the Norā and Khāmtī dialects of Shān, but is not identical with either. It is illustrated with several drawings.
The date of the manuscript is uncertain; it is unlikely to be earlier than 1800.
An extract from notes made on the manuscript by Captain H J Inman has been placed with the manuscript.
Sketchbook containing drawings pasted in., 1846-1863, undated.
A number of leaves have been cut out at the front of the volume, and single leaves have been cut out at various places throughout.
Sketchbooks., 1791-1910.
Sketches and drawings by various members of the Minto family., [Circa 1777]-1843, undated.
As well as material of inherent literary or intellectual interest, the papers in this section, deriving from various members of the family, provide a record of entertainment and leisure in the late eighteenth and early nineteenth centuries.
Sketches by Frances Pelly for inclusion in Bridget MacCaskill`s `A private sort of life`. With a covering letter., 2002.
Files of papers relating to the literary output of Don and Bridge MacCaskill.
Sketches, drawings and other visual material., [1935-2006].
Small sketch-book of Agnes Ranken., 1846-1853.
The drawings, made in pencil, consist entirely of landscapes. Many are of Highland lochs, but there are also scenes from the Lake District and from the Matlock area in Derbyshire.
‘The works of Robert Burns’ edited by W Scott Douglas (Edinburgh, 1877-1879); originally in seven volumes, it has been expanded to thirteen by the insertion of letters, manuscripts, engravings, etchings and drawings relating to Robert Burns and his work., 1796-1809, 1877-1879.
The insertions include poems and letters in the poet's hand (MS.15957, folio 13; MS.15958, folios ii, 19; MS.15959, folio 18; MS.15960, folio 5; MS.15967, folios 9, 13, 14); letters, 1796-1809, from his brother Gilbert about the family; and correspondence, 1798-1800 of James Currie about an edition of the poems.
‘The works of Robert Burns’ edited by W Scott Douglas (Edinburgh, 1877-1879); with index to the manuscript insertions., 1877-1879, 1914.
The Cowie manuscripts include the final version of ‘The gentle shepherd, a Scots pastorall comedy’ by Allan Ramsay (MS.15972).
Thirty-five unidentified drawings, and tracings., 19th century-mid 20th century.
A group of about 2500 plans, chiefly made by Messrs Stevenson. Their business was concerned chiefly with sea-works, lighthouses, harbours, canals and river courses, and the plans reflect this interest, although there are some items relating to railways and bridges.
Thirty-seven pen and pencil drawings, in some cases with further sketches on the reverse side, by John Harden., 1803-1810.
The drawings are nearly all figure-groups executed either at Queen Street, Edinburgh, or at Brathay Hall, Windermere. The majority depict family gatherings, often caught playing cards or chess, sometimes in the company of friends like the Learmonths in Edinburgh or the Lloyds at Brathay Hall (see MS.8872). In most cases, a brief description, based on information supplied by the Clay family, has been added.
Thirty water-colours and drawings by John Harden., 1809-1810.
The majority of the water-colours and drawings are landscapes, chiefly executed in the Edinburgh area or in Aberdour, Fife, during an extended visit to Scotland in 1809-1810, but there are also two drawings of fishwives, perhaps at Newhaven, and another entitled 'Bottling Whiskey' (see MS.8872).
Nine black and white photographs of landscapes now in the National Gallery of Scotland are also included.
Tracing and Drawing - Ness Harbour - Lewis, Hebrides - surveyed by D and T Stevenson., 1888.
Tracing and two drawings - Ground acquired for erection of National Gallery - Edinburgh, Mound - surveyed by Roward Anderson., 1892.
Tracing - harbour, showing proposed repairs on pier end - Ardrossan, Ayr - surveyed by D & T Stevenson., 1883.
Two letters of James Anderson, economist and writer on agriculture, to Messrs Beilby and Bewick, engravers, Newcastle, regarding their work, with sepia drawings of agricultural machinery., 1790-1791.
Two manuscripts by William Makepeace Thackeray., 1823-? 1850.
Two portraits of Austen Henry Layard, with a portrait of his wife, Enid., 1852-1963.
Typescript, 1932, of 'Four good years': excerpts from Violet Jacob's letters to her mother, 1895-1896, and copies of her diaries, 1897-1900., 1895-1900.
The typescript was published as 'Diaries and letters from India, 1895-1900', edited by Carol Anderson, (Edinburgh, 1990).
Various manuscripts and fragments, almost all undated, in the autograph of Hugh Miller., 1819-[1852, or before.]
Volume containing chiefly prints, with a few drawings, and water-colour sketches by Bartolomeo Pinelli, Henri L'Evêque, and many anonymous artists., [?1827.]
The images are nearly all of Italian scenes, and seem to have been collected during a tour of Italy in 1827.