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Marches. Musical compositions.

 Subject
Subject Source: Other Source
Scope Note: Pieces of music composed to accompany or be suggestive of marching. Source: 'Concise Oxford English dictionary', 11th edition (Oxford, 2004).

Found in 42 Collections and/or Records:

Music of John Davidson chiefly for string quartet., [?1871-?1926.]

 Sub-Series
Identifier: MSS.22022-22046
Scope and Contents From the Sub-Series: John Davidson, a member of the family of J & A Davidson, coal merchants and shipping agents, Aberdeen, was an amateur musician and composer. His preferred medium appears to have been the string quartet, but he composed and arranged pieces also for other combinations of instruments, chiefly strings. A number of pieces appear in more than one form. The collection contains both full scores and parts.The earliest and latest dates discernible are 1871 and 1926, but almost...
Dates: [?1871-?1926.]

Orchestral and band music of David Stephen., 1913-1940, undated.

 Sub-Series
Identifier: MSS.22155-22156
Scope and Contents From the Series:

Most of the compositions appear to be unpublished.

Dates: 1913-1940, undated.

Orchestral music of G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21881-21910
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Orchestral music of Ian Whyte., Mid 20th century.

 Sub-Series
Identifier: MSS.22082-22084
Scope and Contents From the Series:

Apart from the film music, which is datable to 1947-1948 from the accompanying correspondence and papers (MSS.22085-22086), almost all the music is undated; but from the ink used, some of it may be dated to about the same period.

Except where otherwise stated the music is written as for keyboard.

Dates: Mid 20th century.

Orchestral parts of the Triumphal march from the Second Suite in C major, and draft full score of the first section of ‘At the ball’, by G W Crawford., [?1892-?1941.]

 File
Identifier: MS.21905
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Photocopy of an unidentified music book containing dances and marches in simple treble notation., 1st half of 19th century.

 Item
Identifier: MS.21777
Scope and Contents From the Series:

Most of the music books are of unknown ownership but all may be of northern Scottish provenance. They are all undated but appear to belong to the first half of the nineteenth century.

Dates: 1st half of 19th century.

Score, parts and arrangements of 'The lads of Wamphray' by Percy Grainger., 1904-1937.

 Sub-Series
Identifier: MSS.21867-21871
Scope and Contents From the Series:

Most of the pieces are related in some way to Scotland.

Dates: 1904-1937.

‘To liberty’ by G W Crawford, a march for military band., 1920.

 Item
Identifier: MS.21933
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: 1920.

Transcripts of reels, strathspeys, airs and other miscellaneous music chiefly in the hand of John Murdoch Henderson., 17th century-1963, undated.

 Sub-Series
Identifier: MSS.21701-21702
Scope and Contents From the Series: The papers consist of the transcriptions, arrangements, and research notes compiled by John Murdoch Henderson between the mid 1920s and his death in 1972. Henderson's particular interest was in music for the Scottish fiddle, and in addition to extensive work on the older sources of such music, he was an authority on the compositions of his contemporaries, who seem frequently to have sought his advice. In addition to his own material, the collection contains many autograph compositions of...
Dates: 17th century-1963, undated.

Transcripts of reels, strathspeys, airs and other miscellaneous music, with some notes, chiefly in the hand of John Murdoch Henderson., 17th century-1963, undated.

 Sub-Series
Identifier: MSS.21700-21702
Scope and Contents From the Series: The papers consist of the transcriptions, arrangements, and research notes compiled by John Murdoch Henderson between the mid 1920s and his death in 1972. Henderson's particular interest was in music for the Scottish fiddle, and in addition to extensive work on the older sources of such music, he was an authority on the compositions of his contemporaries, who seem frequently to have sought his advice. In addition to his own material, the collection contains many autograph compositions of...
Dates: 17th century-1963, undated.

Transcripts of reels, strathspeys and other miscellaneous music, chiefly undated, compiled circa 1950-circa 1970, chiefly in the hand of John Murdoch Henderson, including a note of the Scottish tunes from ‘Pills to purge melancholy’, 1719-1720, by Thomas D'Urfey., 1719-1956, undated.

 File
Identifier: MS.21700
Scope and Contents From the Series: The papers consist of the transcriptions, arrangements, and research notes compiled by John Murdoch Henderson between the mid 1920s and his death in 1972. Henderson's particular interest was in music for the Scottish fiddle, and in addition to extensive work on the older sources of such music, he was an authority on the compositions of his contemporaries, who seem frequently to have sought his advice. In addition to his own material, the collection contains many autograph compositions of...
Dates: 1719-1956, undated.