Musical compositions.
Found in 185 Collections and/or Records:
Scores and parts, undated, for miscellaneous music by W B Moonie., 1st quarter of 20th century-3rd quarter of 20th century.
The contents are as follows:
(i) Leader’s part for ‘Serenade’ (folio 1);
(ii) Parts for strings of a setting of the song ‘Leezie’ (folio 3);
(iii) Full score of ‘From the lone shieling’ (folio 7).
Scores of various compositions for violin and piano by John Davidson., [?1871-?1926.]
Scottish melodies gathered by John Murdoch Henderson., 1926-1960.
Many of the melodies were composed or arranged by John Murdoch Henderson, others are the compositions of his contemporaries, Scott Skinner, James Cameron, Peter Milne and many others, and some are older or anonymous. Henderson seems to have worked over and revised these tunes in an attempt to find the perfect set. Most of the revisions are dated, and their order is where possible that of the final revision.
Scottish melodies gathered by John Murdoch Henderson., 1961-1971.
Many of the melodies were composed or arranged by John Murdoch Henderson, others are the compositions of his contemporaries, Scott Skinner, James Cameron, Peter Milne and many others, and some are older or anonymous. Henderson seems to have worked over and revised these tunes in an attempt to find the perfect set. Most of the revisions are dated, and their order is where possible that of the final revision.
Scottish melodies gathered by John Murdoch Henderson., 1972, undated.
Many of the melodies were composed or arranged by John Murdoch Henderson, others are the compositions of his contemporaries, Scott Skinner, James Cameron, Peter Milne and many others, and some are older or anonymous. Henderson seems to have worked over and revised these tunes in an attempt to find the perfect set. Most of the revisions are dated, and their order is where possible that of the final revision.
Scottish melodies gathered by John Murdoch Henderson., 1972.
Many of the melodies were composed or arranged by John Murdoch Henderson, others are the compositions of his contemporaries, Scott Skinner, James Cameron, Peter Milne and many others, and some are older or anonymous. Henderson seems to have worked over and revised these tunes in an attempt to find the perfect set. Most of the revisions are dated, and their order is where possible that of the final revision.
Scottish melodies gathered by John Murdoch Henderson., 1972, undated.
Many of the melodies were composed or arranged by John Murdoch Henderson, others are the compositions of his contemporaries, Scott Skinner, James Cameron, Peter Milne and many others, and some are older or anonymous. Henderson seems to have worked over and revised these tunes in an attempt to find the perfect set. Most of the revisions are dated, and their order is where possible that of the final revision.
Scottish melodies, sometimes with accompaniment, gathered by John Murdoch Henderson between 1926 and 1972., 1926-1972, undated.
Many of the melodies were composed or arranged by John Murdoch Henderson, others are the compositions of his contemporaries, Scott Skinner, James Cameron, Peter Milne and many others, and some are older or anonymous. Henderson seems to have worked over and revised these tunes in an attempt to find the perfect set. Most of the revisions are dated, and their order is where possible that of the final revision.
Scottish music of G W Crawford., [?1892-?1941.]
Scrapbook of Rose Ethel Bassin, containing press-cuttings on music., 1947-1960.
There is Gaelic music on folios 34-36, 54.
'Select pieces for violin and viola arranged by J Davidson.', [?1871-?1926.]
The title is from folio i.
The manuscript consists of gatherings of leaves from an account book (possibly MS.22030) cut down to stubs on which are mounted single sheets and some bifolia containing the music.
At the end (folios 46 verso and what follows) are pieces for solo violin and other groups of strings.
Some of the leaves are old bills ruled and used for music.
The covers are two sheets of card.
Settings of various works of Percy Grainger., 1904-1950.
Settings of works of Percy Grainger., 1900-1947, undated.
Most of the pieces are related in some way to Scotland.
Sketches, drafts and fragments of unidentified works of Ronald Center; and notes on orchestration, apparently in the hand of Evelyn Center., Mid 20th century.
The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.
Sketches for String Quartet No. 2 and for a suite for strings by Ian Whyte, Mid 20th century.
The contents are as follows:
(i) Sketches for ‘String quartet no. 2’ including for the first movement, with a fair copy in full score of the opening (folio 1);
(ii) Sketches for a suite for strings (folio 37).
Small music book, undated (but apparently circa 1950), made for use at George Heriot's School, Edinburgh, containing various sketches and compositions, and sketches for the prelude to 'Lucy Ashton'., [Circa 1950.]
Some of the leaves are damaged.
Transcript, [circa 1886], of selections from ‘Caledonian pocket companion’, volume II, by James Oswald, possibly made by Frank Kidson., 1743.
Transcript, undated, by Philip Heseltine ('Peter Warlock'), with indications for an orchestral rescoring, of a setting for keyboard, 1924, by Delius of ‘A late lark’ by W E Henley, undated., 1924.
Transcripts of reels, strathspeys, airs and other miscellaneous music chiefly in the hand of John Murdoch Henderson., 17th century-1963, undated.
Transcripts of reels, strathspeys, airs and other miscellaneous music, chiefly in the hand of John Murdoch Henderson., 17th century-1963, undated.
Transcripts of reels, strathspeys, airs and other miscellaneous music, chiefly in the hand of John Murdoch Henderson., 1687-1959, undated.
The manuscript includes some content created through a drum duplcation process.
Transcripts of reels, strathspeys, airs and other miscellaneous music, with some notes, chiefly in the hand of John Murdoch Henderson., 17th century-1963, undated.
Transcripts of reels, strathspeys and other miscellaneous music, chiefly undated, compiled circa 1950-circa 1970, chiefly in the hand of John Murdoch Henderson, including a note of the Scottish tunes from ‘Pills to purge melancholy’, 1719-1720, by Thomas D'Urfey., 1719-1956, undated.
Transcripts, possibly by Harie Maule, of a total of 111 pieces for bass viol by Jean de Ste Colombe., 4th quarter of the 17th century.
Some of the music consists of versions for a single instrument of de Ste Colombe's 'Concerts’ for two bass viols. The remaining pieces are otherwise unknown.
Transcripts, possibly by Harie Maule, of pieces for bass viol by Jean de Ste Colombe., 4th quarter of the 17th century.
Some of the music consists of versions for a single instrument of de Ste Colombe's 'Concerts’ for two bass viols. The remaining pieces are otherwise unknown.