Musical compositions.
Found in 240 Collections and/or Records:
About 100 pieces of music, chiefly dances, in French lute tablature., Mid 17th century.
Many of the pieces are by Rene Mésangeau, and the manuscript closely resembles in its binding, watermark, and musical hand, a volume prepared after 1632 possibly for a pupil of Mésangeau and now in the Centre National de Recherche Scientifique in Paris - see ‘Oeuvres de René Mésangeau’ (Paris, 1971) edited by Monique Rollin. Other composers represented include Pinel (allemande, folio 33) and Dubut le père (courante, folio 54).
Annotated transcripts of music made by John Murdoch Henderson from "Apollo's Banquet", 1669, and ‘The dancing master’ by Playford, 1718-1728., 1669, 1718-1728.
Annotated transcripts of music made by John Murdoch Henderson from collections by Isaac Cooper, 1783, 1806; Donald Dow, 1773; Robert Petrie, 1790; Simon Fraser, 1795; and Malcolm Macdonald, 1788., 1783-1806.
Annotated transcripts of music made by John Murdoch Henderson from miscellaneous 19th-century printed collections of music., 1784-1855, undated.
Annotated transcripts of music made by John Murdoch Henderson from miscellaneous printed collections of music., 1784-[?1821].
Annotated transcripts of music made by John Murdoch Henderson from miscellaneous printed collections of music., [Circa 1789]-1855, undated.
Annotated transcripts of music made by John Murdoch Henderson from ‘The Scots musical museum’., 1789.
Annotated transcripts of music made by John Murdoch Henderson from ‘Twenty minuets’ by Daniel Dow, [circa 1773], and ‘A second collection of Scots reels’ by Robert Bremner, 1768., 1768, [circa 1773].
Annotated transcripts of music made by John Murdoch Henderson from various published sources., 1669-1855, undated.
'Arie diverse per il violino Preludij Alemande Sarabande Correnti Gighe Fantasie Sminuite ed altre Toccate a due corde composizione Di Nicola Matteis napolitano', being 110 pieces of music for violin and figured bass., 1681-1682.
This is one of several copies (another is British Library Hirsch MS. IV. 1633) of these pieces made for distinguished people. It is possible that this particular copy is in Nicola Matteis's autograph (see Michael Tilmouth, 'Nicola Matteis', in ‘Musical Quarterly’, January 1959, page 27).
On folios 114-117 (reversed) are figured bass parts of ten pieces from the opera 'Atis' by Jean Baptiste Lully.
Autograph musical scores of David Dorward., 1961, 1967, undated.
Autograph musical scores of David Dorward containing sketches and some final versions of works for various combinations of instruments, including voices.
Two of the pieces are dated 1961 and 1967. The remainder, though undated, appear to have been written at about the same period.
Autograph musical scores, undated, of David Dorward., [?1961-?1967.]
Autograph score of William Wallace, "Songs by Heine".
Presentation autograph score of William Wallace's arrangements for voice and piano of six poems by Heinrich Heine. Dated 1888, and inscribed to "Mrs Young". Contains arrangements of the following: 1. Ein Jüngling liebt ein Mädchen; 2. Wenn zwei von einander scheiden; 3. Ich hab im Traume geweinet; 4. Ich stand in dunkeln Träumen; 5. Vergiftet sind meine Lieder; 6. Mädchen mit dem rothen Mündchen.
Autograph scores of musical compositions by David Stephen, Director of Music to the Carnegie Trust, Dunfermline.
Most of the compositions appear to be unpublished.
Books containing Scottish fiddle music., 1792-1869.
Brass and military band compositions and arrangements by G W Crawford., [?1919-?1920.]
Chamber music and songs of G W Crawford., [?1892-?1941.]
Chamber music of David Stephen., 1899-early 20th century, undated.
Chamber music, undated, of Ronald Center., Mid 20th century.
'Characteristic pieces for violin and piano' by John Davidson, containing the violin part of most of the pieces in MS.22047, followed by the score of two pieces for violin and piano., [?1871-?1926.]
Collection of chiefly Scottish music, compiled circa 1795, but with some later additions., [Circa 1795.]
There is a table of flute fingering on page 115.