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Parts. Scores.

 Subject
Subject Source: Local sources
Scope Note: The musical notation within a music score specific to a particular instrument. Such instrument parts may either be represented together in a single score, by stave one below the other, or else as separate parts, one for each instrument. Not to be confused with the looser usage of the term as applied to specific parts of the music for an instrument, for example the treble and the bass parts for the piano.

Found in 104 Collections and/or Records:

Band parts of Scottish dance tunes originally the property of Jockie Reid, a dance band leader and dancing instructor.

 Series
Identifier: MSS.21828-21831
Scope and Contents

Each volume contains a number of additional pieces on loose sheets which have been tipped in, but the latter half of each volume is blank.

Dates: Early 20th century-mid 20th century.

Bass parts of Scottish dance tunes., Early 20th century-mid 20th century.

 Item
Identifier: MS.21828
Scope and Contents From the Series:

Each volume contains a number of additional pieces on loose sheets which have been tipped in, but the latter half of each volume is blank.

Dates: Early 20th century-mid 20th century.

Books containing Scottish fiddle music., 1792-1869.

 Sub-Series
Identifier: MSS.21703-21707
Scope and Contents From the Series: The papers consist of the transcriptions, arrangements, and research notes compiled by John Murdoch Henderson between the mid 1920s and his death in 1972. Henderson's particular interest was in music for the Scottish fiddle, and in addition to extensive work on the older sources of such music, he was an authority on the compositions of his contemporaries, who seem frequently to have sought his advice. In addition to his own material, the collection contains many autograph compositions of...
Dates: 1792-1869.

Cello part of the piano quintet in G by W B Moonie., 1918.

 Item
Identifier: MS.21630
Scope and Contents From the Fonds: These papers, the surviving archive of the Edinburgh Society of Musicians, run from the foundation of the Society in 1887 - though it includes a small amount of earlier material - to 1982, and in addition to providing a very full account of the Society's own history, it contains much concerning the history of music-making in Edinburgh in the 20th Century. Included in the collection are the papers of the Edinburgh Harmonists' Society which could trace its descent from the Edinburgh Musical...
Dates: 1918.

Chamber music, undated, of Ronald Center., Mid 20th century.

 Sub-Series
Identifier: MSS.22179-22185
Scope and Contents From the Series:

The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.

Dates: Mid 20th century.

'Characteristic pieces for violin and piano' by John Davidson, containing the violin part of most of the pieces in MS.22047, followed by the score of two pieces for violin and piano., [?1871-?1926.]

 File
Identifier: MS.22054
Scope and Contents From the Sub-Series: John Davidson, a member of the family of J & A Davidson, coal merchants and shipping agents, Aberdeen, was an amateur musician and composer. His preferred medium appears to have been the string quartet, but he composed and arranged pieces also for other combinations of instruments, chiefly strings. A number of pieces appear in more than one form. The collection contains both full scores and parts.The earliest and latest dates discernible are 1871 and 1926, but almost...
Dates: [?1871-?1926.]

Clarinet parts of Scottish dance tunes., Early 20th century-mid 20th century.

 Item
Identifier: MS.21829
Scope and Contents

An index of tunes, and several pieces on loose leaves formerly dispersed throughout the volume have been bound in at the front.

Dates: Early 20th century-mid 20th century.

Composite volumes containing the first and second violin, viola and cello parts of an arrangement for string quartet by John Davidson of ‘11 duets for two violins & other pieces’., [?1871-?1926.]

 Sub-Series
Identifier: MSS.22043-22046
Scope and Contents From the Sub-Series: John Davidson, a member of the family of J & A Davidson, coal merchants and shipping agents, Aberdeen, was an amateur musician and composer. His preferred medium appears to have been the string quartet, but he composed and arranged pieces also for other combinations of instruments, chiefly strings. A number of pieces appear in more than one form. The collection contains both full scores and parts.The earliest and latest dates discernible are 1871 and 1926, but almost...
Dates: [?1871-?1926.]

Final versions of musical compositions of Ronald Center., Mid 20th century-[?1973], undated.

 Sub-Series
Identifier: MSS.22171-22186
Scope and Contents From the Series:

The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.

Dates: Mid 20th century-[?1973], undated.

First violin part of 'Anagilda', an opera in three acts., 1717.

 Item
Identifier: MS.9473
Scope and Contents

This is a composite work, being a collection of arias by various north Italian composers, interspersed with anonymous recitatives.

Dates: 1717.

First violin part of the piano quintet in G by W B Moonie., 1918.

 Item
Identifier: MS.21627
Scope and Contents From the Fonds: These papers, the surviving archive of the Edinburgh Society of Musicians, run from the foundation of the Society in 1887 - though it includes a small amount of earlier material - to 1982, and in addition to providing a very full account of the Society's own history, it contains much concerning the history of music-making in Edinburgh in the 20th Century. Included in the collection are the papers of the Edinburgh Harmonists' Society which could trace its descent from the Edinburgh Musical...
Dates: 1918.