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Parts. Scores.

 Subject
Subject Source: Local sources
Scope Note: The musical notation within a music score specific to a particular instrument. Such instrument parts may either be represented together in a single score, by stave one below the other, or else as separate parts, one for each instrument. Not to be confused with the looser usage of the term as applied to specific parts of the music for an instrument, for example the treble and the bass parts for the piano.

Found in 93 Collections and/or Records:

"James Allan's concert, 11 May 1869." The first fiddle part for the concert of Scottish music given in honour of James Allan of Forfar., 1869.

 Item
Identifier: MS.21707
Scope and Contents From the Series: The papers consist of the transcriptions, arrangements, and research notes compiled by John Murdoch Henderson between the mid 1920s and his death in 1972. Henderson's particular interest was in music for the Scottish fiddle, and in addition to extensive work on the older sources of such music, he was an authority on the compositions of his contemporaries, who seem frequently to have sought his advice. In addition to his own material, the collection contains many autograph compositions of...
Dates: 1869.

Manuscript music belonging to the Edinburgh Harmonists’ Society, including some written specifically for it., 1810-1921, undated.

 File
Identifier: MS.21664
Scope and Contents The contents are as follows:Autograph score of 'Weep you no more', by A T Lee Ashton, 1905 (folio 1);Score and parts of 'Balmy sweetness', by John Bayley, undated (folio 5);Copies, [circa 1900], of 'Mirth and social glee', undated, and 'Hail bounteous nature', by Thomas Cooke, 1829 (folio 10);Parts of 'Bells of eve', by [? Charles Leon Francois] Kreutzer, undated (folio 29);Score of 'King Canute' by Sir George A Macfarren, 1873...
Dates: 1810-1921, undated.

Miscellaneous music of John Davidson., [?1871-?1926.]

 Sub-Series
Identifier: MSS.22073-22074
Scope and Contents From the Sub-Series: John Davidson, a member of the family of J & A Davidson, coal merchants and shipping agents, Aberdeen, was an amateur musician and composer. His preferred medium appears to have been the string quartet, but he composed and arranged pieces also for other combinations of instruments, chiefly strings. A number of pieces appear in more than one form. The collection contains both full scores and parts.The earliest and latest dates discernible are 1871 and 1926, but almost...
Dates: [?1871-?1926.]

Miscellaneous orchestral music of G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21902-21910
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Miscellaneous printed music books and scores., 4th quarter of 19th century - 1st quarter of 20th century.

 Sub-Series
Identifier: Acc.13827/1092-1095
Scope and Contents From the Fonds: The papers cover six centuries worth of family and estate papers of the Forbes, the Stuart Forbes, and the Trefusis families. Alexander de Forbes (c.1380-1448) was created the 1st Lord Forbes around 1440, the Lords Forbes of Pitsligo were descended from Sir William Forbes, brother of Alexander. The title was created in 1633 for Alexander Forbes (d.1636). His descendant Alexander Forbes, 4th Lord Forbes of Pitsligo (1678-1762) forfeited his estates following his support for the Jacobites in...
Dates: 4th quarter of 19th century - 1st quarter of 20th century.

Music book of John Davidson containing first violin parts for various pieces., [?1871-?1926.]

 Item
Identifier: MS.22038
Scope and Contents From the Sub-Series: John Davidson, a member of the family of J & A Davidson, coal merchants and shipping agents, Aberdeen, was an amateur musician and composer. His preferred medium appears to have been the string quartet, but he composed and arranged pieces also for other combinations of instruments, chiefly strings. A number of pieces appear in more than one form. The collection contains both full scores and parts.The earliest and latest dates discernible are 1871 and 1926, but almost...
Dates: [?1871-?1926.]

Music book of John Davidson containing viola parts for various pieces., [?1871-?1926.]

 Item
Identifier: MS.22040
Scope and Contents From the Sub-Series: John Davidson, a member of the family of J & A Davidson, coal merchants and shipping agents, Aberdeen, was an amateur musician and composer. His preferred medium appears to have been the string quartet, but he composed and arranged pieces also for other combinations of instruments, chiefly strings. A number of pieces appear in more than one form. The collection contains both full scores and parts.The earliest and latest dates discernible are 1871 and 1926, but almost...
Dates: [?1871-?1926.]

Music books of John Davidson containing parts of arrangements for string quartet of Davidson's own compositions originally for other combinations of instruments, of operatic and other pieces by various composers, and of some songs., [?1871-?1926.]

 Sub-Series
Identifier: MSS.22038-22041
Scope and Contents From the Sub-Series: John Davidson, a member of the family of J & A Davidson, coal merchants and shipping agents, Aberdeen, was an amateur musician and composer. His preferred medium appears to have been the string quartet, but he composed and arranged pieces also for other combinations of instruments, chiefly strings. A number of pieces appear in more than one form. The collection contains both full scores and parts.The earliest and latest dates discernible are 1871 and 1926, but almost...
Dates: [?1871-?1926.]

Music by Maude Beswick, all apparently autograph., Mid 20th century.

 Series
Identifier: MSS.21633-21641
Scope and Contents From the Fonds: These papers, the surviving archive of the Edinburgh Society of Musicians, run from the foundation of the Society in 1887 - though it includes a small amount of earlier material - to 1982, and in addition to providing a very full account of the Society's own history, it contains much concerning the history of music-making in Edinburgh in the 20th Century. Included in the collection are the papers of the Edinburgh Harmonists' Society which could trace its descent from the Edinburgh Musical...
Dates: Mid 20th century.

Music, chiefly of W B Moonie and Maude Beswick., 1918-mid 20th century, undated.

 Series
Identifier: MSS.21627-21642
Scope and Contents From the Fonds: These papers, the surviving archive of the Edinburgh Society of Musicians, run from the foundation of the Society in 1887 - though it includes a small amount of earlier material - to 1982, and in addition to providing a very full account of the Society's own history, it contains much concerning the history of music-making in Edinburgh in the 20th Century. Included in the collection are the papers of the Edinburgh Harmonists' Society which could trace its descent from the Edinburgh Musical...
Dates: 1918-mid 20th century, undated.

Music for string orchestra by Ronald Center., Mid 20th century.

 Sub-Series
Identifier: MSS.22174-22178
Scope and Contents From the Series:

The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.

Dates: Mid 20th century.

Music for strings, other than quartets, of John Davidson., [?1871-?1926.]

 Sub-Series
Identifier: MSS.22047-22050
Scope and Contents From the Sub-Series: John Davidson, a member of the family of J & A Davidson, coal merchants and shipping agents, Aberdeen, was an amateur musician and composer. His preferred medium appears to have been the string quartet, but he composed and arranged pieces also for other combinations of instruments, chiefly strings. A number of pieces appear in more than one form. The collection contains both full scores and parts.The earliest and latest dates discernible are 1871 and 1926, but almost...
Dates: [?1871-?1926.]

Music of G W Crawford for stage works., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21936-21967
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Music of John Davidson chiefly for string quartet., [?1871-?1926.]

 Sub-Series
Identifier: MSS.22022-22046
Scope and Contents From the Sub-Series: John Davidson, a member of the family of J & A Davidson, coal merchants and shipping agents, Aberdeen, was an amateur musician and composer. His preferred medium appears to have been the string quartet, but he composed and arranged pieces also for other combinations of instruments, chiefly strings. A number of pieces appear in more than one form. The collection contains both full scores and parts.The earliest and latest dates discernible are 1871 and 1926, but almost...
Dates: [?1871-?1926.]

Music of John Davidson for violin and piano., [?1871-?1926.]

 Sub-Series
Identifier: MSS.22051-22057
Scope and Contents From the Sub-Series: John Davidson, a member of the family of J & A Davidson, coal merchants and shipping agents, Aberdeen, was an amateur musician and composer. His preferred medium appears to have been the string quartet, but he composed and arranged pieces also for other combinations of instruments, chiefly strings. A number of pieces appear in more than one form. The collection contains both full scores and parts.The earliest and latest dates discernible are 1871 and 1926, but almost...
Dates: [?1871-?1926.]

Music of W B Moonie., 1918, [circa 1920].

 Sub-Series
Identifier: MSS.21627-21632
Scope and Contents From the Fonds: These papers, the surviving archive of the Edinburgh Society of Musicians, run from the foundation of the Society in 1887 - though it includes a small amount of earlier material - to 1982, and in addition to providing a very full account of the Society's own history, it contains much concerning the history of music-making in Edinburgh in the 20th Century. Included in the collection are the papers of the Edinburgh Harmonists' Society which could trace its descent from the Edinburgh Musical...
Dates: 1918, [circa 1920].

Musical compositions and other papers, chiefly undated, of John Davidson., 1871-1926, undated.

 Sub-Series
Identifier: MSS.22022-22074
Scope and Contents John Davidson, a member of the family of J & A Davidson, coal merchants and shipping agents, Aberdeen, was an amateur musician and composer. His preferred medium appears to have been the string quartet, but he composed and arranged pieces also for other combinations of instruments, chiefly strings. A number of pieces appear in more than one form. The collection contains both full scores and parts.The earliest and latest dates discernible are 1871 and 1926, but almost...
Dates: 1871-1926, undated.

Musical compositions of Ronald Center., Mid 20th century-[?1973], undated

 Sub-Series
Identifier: MSS.22171-22193
Scope and Contents From the Series:

The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.

Dates: Mid 20th century-[?1973], undated

Orchestral music of G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21881-21910
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]