Vocal music.
Found in 13 Collections and/or Records:
Facsimile of chorus part of acts I-III of 'Christian the pilgrim', an opera, undated, by James A Moonie, with words adapted by George Peacock from “Pilgrim's progress” by John Bunyan; and a vocal trio from 'A broken coupling', undated, an operetta by Moonie.
Final or fair copies of compositions, 1958-1964, by Martin Dalby., 1958-1969.
The compositions are preceded (MS.22142, folio ii) by a typescript list of Martin Dalby's compositions to 1968 with additions in ink to 1969.
Most of the compositions are vocal, being settings of poems or scriptural texts, with or without keyboard accompaniment.
Final or fair copies of compositions by Martin Dalby., 1964-1967.
The compositions are preceded (MS.22142, folio ii) by a typescript list of Martin Dalby's compositions to 1968 with additions in ink to 1969.
Most of the compositions are vocal, being settings of poems or scriptural texts, with or without keyboard accompaniment.
Final, or fair copies of musical compositions, 1958-1967, by Martin Dalby, many in his autograph, arranged in chronological order.
The compositions are preceded (MS.22142, folio ii) by a typescript list of Martin Dalby's compositions to 1968 with additions in ink to 1969.
Most of the compositions are vocal, being settings of poems or scriptural texts, with or without keyboard accompaniment.
Miscellaneous pieces and scraps of music by Maude Beswick., Mid 20th century.
The pieces include vocal music, versions of the ‘Reverie’ and ‘Romance’ for violin and piano (MS.2635: 'Violin solos'), and ‘The waterwheel’ for piano (also found as a piece marked ‘tempo giusto’ in MS.21638 ('Piano solos').
Miscellaneous Scottish music., 18th century-19th century.
The contents are as follows:
(i) ‘Tom and Will’ for voice, and ‘Cupids Doomsday’ for voice and virginal;
(ii) ‘A Souldier and a Sailer’ for voice and virginal;
(iii) A Largo attributed to Thomas A Erskine, 6th Earl of Kellie;
(iv) ‘Rock-loving Echo’, glee, by John Turnbull;
(v) ‘Bonny wee thing’ and ‘The Cobler of Castlecary’ arranged for a brass band by George Baker, 1863.
Music, chiefly of W B Moonie and Maude Beswick., 1918-mid 20th century, undated.
Operatic, instrumental, and vocal music by Learmont Drysdale (died 1909), much of it in the composer's autograph.
Orchestral, vocal and other music scores of Ian Whyte., 1947-1951, undated.
Apart from the film music, which is datable to 1947-1948 from the accompanying correspondence and papers (MSS.22085-22086), almost all the music is undated; but from the ink used, some of it may be dated to about the same period.
Except where otherwise stated the music is written as for keyboard.
Orchestral, vocal and other music scores of Ian Whyte, and papers and music of his son, Don Whyte, chiefly undated.
Apart from the film music, which is datable to 1947-1948 from the accompanying correspondence and papers (MSS.22085-22086), almost all the music is undated; but from the ink used, some of it may be dated to about the same period.
Except where otherwise stated the music is written as for keyboard.
Sound recordings concerning the life and career of Professor John Read, and his interest in alchemical music.
Vocal music of Ian Whyte., Mid 20th century.
Apart from the film music, which is datable to 1947-1948 from the accompanying correspondence and papers (MSS.22085-22086), almost all the music is undated; but from the ink used, some of it may be dated to about the same period.
Except where otherwise stated the music is written as for keyboard.