Fliers. Printed matter.
Found in 103 Collections and/or Records:
Outreach and collaborative production files of 'Talking bollocks'., 1995-1998, undated.
This collection dates mainly from after 1988, when John McGrath and Elizabeth MacLennan resigned from the company which they had established, with David MacLennan, in 1973. Following the funding crisis in 2006, the company had to leave its base in the STUC building in Glasgow, and it was at this point that much of the material in this accession was presented to the National Library of Scotland.
Outreach and collaborative production files of 'The war in heaven' by Sam Shepard and Joseph Chaikin., 1995-1996, undated.
This collection dates mainly from after 1988, when John McGrath and Elizabeth MacLennan resigned from the company which they had established, with David MacLennan, in 1973. Following the funding crisis in 2006, the company had to leave its base in the STUC building in Glasgow, and it was at this point that much of the material in this accession was presented to the National Library of Scotland.
Outreach and collaborative production files of 'Under construction'., 1999, undated.
Contribution of 7:84 Theatre Company (Scotland) to Glasgow 1999: UK City of Architecture and Design, produced in partnership with Castlemilk Youth Complex, East Glasgow Youth Theatre, The Lone Rangers – One Plus Drama Project.
Outreach and collaborative production files of 'Whispers of water and yarns' by Lara Jane Bunting., 1997, undated.
This collection dates mainly from after 1988, when John McGrath and Elizabeth MacLennan resigned from the company which they had established, with David MacLennan, in 1973. Following the funding crisis in 2006, the company had to leave its base in the STUC building in Glasgow, and it was at this point that much of the material in this accession was presented to the National Library of Scotland.
Outreach and production files of 'New frontiers', a collaborative outreach project with young people of Castlemilk and Berlin., 1992-1994, undated.
This collection dates mainly from after 1988, when John McGrath and Elizabeth MacLennan resigned from the company which they had established, with David MacLennan, in 1973. Following the funding crisis in 2006, the company had to leave its base in the STUC building in Glasgow, and it was at this point that much of the material in this accession was presented to the National Library of Scotland.
Paper records of the Gude Cause Archive, containing miscellaneous papers and ephemera., 1909-2010.
Papers of Derek Suttie relating to the Scottish Independence Referendum 2014.
Records concerning the activities of Derek Suttie relating to the Scottish Independence Referendum 2014, specifically through engagement with Workers Educational Association (WEA) Scotland, Adult Learning Project (ALP) Edinburgh and Crisis (part of The Salvation Army).
Papers of Nancy Somerville comprising material produced by Edinburgh City Council and several associated community groups in relation to the Scottish Independence Referendum 2014.
Papers of Yes Tweeddale and Women for Independence Scottish Borders, pro-independence campaign groups active during the Scottish Independence Referendum campaign 2014.
Posters designed by Alasdair Gray for exhibitions, plays and books.
Posters designed by Alasdair Gray for exhibitions, plays, readings and other events, as well as promotional artwork for some of his novels.
There is a mix of original drawings, paintings and paste-ups, as well as prints and reproductions.
Many of the posters in this collection were reproduced in 'A life in pictures' (Canongate, 2009).
Press cuttings, press release, programme, poster and flyer of 'Mrs Vershinin' by Helen Cooper., 1990, undated.
This collection dates mainly from after 1988, when John McGrath and Elizabeth MacLennan resigned from the company which they had established, with David MacLennan, in 1973. Following the funding crisis in 2006, the company had to leave its base in the STUC building in Glasgow, and it was at this point that much of the material in this accession was presented to the National Library of Scotland.
Priscilla Chueng-Nainby and Citadel Youth Centre, Referendum creative weave.
Material produced by the Citadel Youth Centre, Edinburgh, relating to the Scottish Independence Referendum 2014. Includes photographs, promotional material and workshop content from a ‘Creative Weave’ event led by Dr Priscilla Chueng-Nainby, held on 18 July 2014, in conjunction with Edinburgh’s Active Citizens Group. Also includes a copy of 2013 Annual Report of the Citadel Youth Centre.
Production files of 'Blood red roses' by John McGrath., 1980, undated.
Includes material concerning productions, administration and publicity.
Production files of 'Out of our heads' by John McGrath., 1976, undated.
Includes material concerning productions, administration and publicity.
Programmes and flyers of various productions of the Fifth Estate Theatre Company., Undated.
Containing: 'The Consul of Butterflies'; 'Country Dance' (programme and flyer); 'It Had To Be You'; 'Kepler'; 'The Last of the Lairds'; 'Lucia'; 'The Nightingale Roars'; 'We, Charles XII' (flyer); and 'Where Love Steps In'.
Prompt script and typescript of 'We, Charles XII', by Bernard da Costa, translated and adapted by Allan Sharpe, containing correspondence from the author., 1990-1991.
Arranged alphabetically by title. The date in square brackets is that of the Fifth Estate production, where this has been possible to establish.
Prompt script of 'Playing Sarajevo' (1985), by Allan Sharpe, containing production schedule, set designs and flyer., 1985, [1995].
[Performed 1995].
Publicity, containing press releases for the various plays, flyers and programmes., Undated.
Containing papers on the following Scottish plays: 'Gold in his boots' by George Munro; 'U.A.B. - Scotland' by Harry Trott; 'Johnny Noble' by Ewan MacColl; "In time o' strife" by Joe Corrie; and 'Men should weep' by Ena Lamont Stewart.
Publicity of productions of the Fifth Estate Theatre Company., 1991-1996, undated.
Includes prompt scripts, scripts of unperformed plays, production photography and press cuttings.
Reviews, press cuttings, programmes flyers, publicity, photographs relating to 'Blood red roses'., Undated.
Includes material concerning productions, administration and publicity.
Touring production file of "Long story short: voices of today's Scotland" by Donald Campbell, James Graham, Tom Leonard and others, 1989, containing photographs, programme, poster, flyer and audio-cassette of radio programme, ‘Tuesday Review’, 21 March 1989., 1989.
Additional authors include: Aonghas MacNeacail; Anne Marie di Mambro; Gurmeet Mattu; Rona Munro; Ricky Ross; and Ann Samuel.
Touring production files of '24 hours' by Frances Corr, Deirdre Heddon, Jess Kerr and others., 1997-1998, 2000, undated.
Additional authors include: Ernie Kyle; Frank Shields; and Rhiannon Tise.
Touring production files of 'A little rain' by Peter Arnott., 2000, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Angels in America' by Tony Kushner., 1996, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Antigone' by Sophocles, translated by Don Taylor., 1993, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.