Press cuttings. Information artifacts.
Found in 2208 Collections and/or Records:
'The signs by death from drowning. Hyperaëria: its relations to shallow and surface drowning and to forensic medicine, being notes and press-cuttings made by James Forrest for an enlarged edition of his work ‘The signs of drowning medico-legally considered’.
The Television and Radio work of Magnus Magnusson., 1961-2006.
The Television work of Magnus Magnusson., 1961-2006.
Theatre programmes of productions of plays by Robert McLellan, 1939-1976, and press-cuttings about McLellan and his work, 1937-1979., 1937-1979.
Robert McLellan (1907-1985) was born near Lanark and educated at Bearsden and Glasgow University. In 1938 he married and moved to Arran, where he spent the rest of his life, except for a period of service in the Royal Artillery, 1940-1946. His most important literary works were plays, but he also wrote poetry, short stories, and books on Arran.
Three letters and press cutting relating to Advertising Standards Authority., 1977-1983.
Three letters of George Tancred of Weens tipped into a copy of his ‘Rulewater and its people’ (Edinburgh, 1907), presented by him to J Lindsay Hilson.
The letters are tipped in on guards inside the front cover. On one of the letters is pasted a signed photograph of George Tancred of Weens.
There is a presentation note, 1907, on the flyleaf of the book.
Tipped in inside the back cover is a cutting from the ‘Jedburgh Gazette’, dated 11 January 1908, containing a review of the book.
Three notebooks on the history of Orkney for 'Scotland: The Story of a Nation'., 1986.
File includes magazine cuttings of Magnusson in Orkney.
Tour diary of Frederick Walter Ferrier Noel-Paton: Burma, 17 December 1911 - 8 February 1912; with appendices., 1911-1912
Of the fourteen volumes in the series, twelve are typescript `tour diaries’ with appendices of various documents and printed items, and the remaining two volumes are an address book and an index volume.
Tour diary of Frederick Walter Ferrier Noel-Paton: Madras, Bangalore, Bombay, 15 June - 12 July 1913., 1913.
Of the fourteen volumes in the series, twelve are typescript `tour diaries’ with appendices of various documents and printed items, and the remaining two volumes are an address book and an index volume.
Touring production file of ‘High places’ by Ena Lamont Stewart, containing: programme; press cuttings; press releases; correspondence; tour schedule; actors biographies and other material., 1985.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files for 'Men should weep', by Ena Lamont Stewart., 1982-1986, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of '24 hours' by Frances Corr, Deirdre Heddon, Jess Kerr and others., 1997-1998, 2000, undated.
Additional authors include: Ernie Kyle; Frank Shields; and Rhiannon Tise.
Touring production files of 'Angels in America' by Tony Kushner., 1996, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Antigone' by Sophocles, translated by Don Taylor., 1993, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Boiling a frog' by Christopher Brookmyre, adapted for the stage by Christopher Deans., 2005, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Bold girls' by Rona Munro., Undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Borderlands' by Andrew Doyle., 2005, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Born guilty' based on the work of Peter Sichrovsky., 1995, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Caledonia dreaming' by David Greig., 1997-2000, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of "Can't pay? Won't pay" by Dario Fo., 2003, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Cave dwellers' by Nicola McCartney., 2002, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Dissent' by Stephen Greenhorn., 1998, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Factory girls' by Frank McGuinness., 1982, 2002, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Gilt' by Stephen Greenhorn, Rona Munro and Isabel Wright., 2003, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Gorbals story' by Robert McLeish., 1946, 1987, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.