Programmes.
Found in 307 Collections and/or Records:
Scripts of Hector MacIver of BBC radio programmes., 1936-1954.
The scripts are chiefly plays or programmes on literature or Scottish history. Hector MacIver took part in some of the broadcasts, and a few of the scripts bear annotations.
Scripts of Hector MacIver of BBC radio programmes., 1936-1945.
The scripts are chiefly plays or programmes on literature or Scottish history. Hector MacIver took part in some of the broadcasts, and a few of the scripts bear annotations.
Scripts of Hector MacIver of BBC radio programmes., 1947-1949.
The scripts are chiefly plays or programmes on literature or Scottish history. Hector MacIver took part in some of the broadcasts, and a few of the scripts bear annotations.
Scripts of Hector MacIver of BBC radio programmes., 1953-1954.
The scripts are chiefly plays or programmes on literature or Scottish history. Hector MacIver took part in some of the broadcasts, and a few of the scripts bear annotations.
Scripts, programmes and other papers of Marillyn Gray, Scottish actor and theatre director, mostly relating to the Gateway Theatre, Edinburgh.
Papers of Scottish actor and theatre director Marillyn Gray (1930-2006), chiefly relating to the Gateway Theatre, Edinburgh, in which she was a regular performer. The Gateway papers came into her care at some point after the theatre closed possibly entrusted to her by, or after the death of, Sadie Aitken (1905-85) Gateway Theatre General Manager, some of whose papers are in the collection.
Seven miscellaneous football programmes of Hibernian Football Club., January 2001-February 2004.
Correspondence, annual reports, financial statements, fanzines and match day programmes, 1992-2005, of and relating to Hibernian Football Club collected by Philip D Thomson.
Songs, scores, press cuttings and miscellaneous items., 1894-1947, undated.
Speeches at Royal High School events, 1972-1998
Speeches given by Macintosh at annual dinners or similar festive events held by various bodies associated with the Royal High School. Most of these are preserved together with the dinner programmes.
Subject files of Margery Clinton, containing correspondence and working papers., 1975-1995.
Theatre programme for 'Sunset song' by Lewis Grassic Gibbon, dramatised by Ian Sherwood Munro., 1964.
Comprising:
original manuscript and corrected typescript of "Leslie Mitchell: Lewis Grassic Gibbon" (Edinburgh, 1966); manuscript and broadcast scripts of eight radio plays and dramatisations, 1962-1968; 16 letters, 1959-1968, to Ian S Munro, correspondents including C M Grieve and Willa Muir.
Theatre programmes of productions of Joe Corrie's plays., 1929-1956, undated.
Joe Corrie worked as a miner in Fife and Ayrshire, and many of his plays and stories are set in mining communities. He was a prolific writer who published a number of plays, several collections of poetry, and two novels, as well as numerous stories and articles in newspapers. Many of his plays were popular with amateur dramatic groups.
Theatre programmes of productions of plays by Robert McLellan, 1939-1976, and press-cuttings about McLellan and his work, 1937-1979., 1937-1979.
Robert McLellan (1907-1985) was born near Lanark and educated at Bearsden and Glasgow University. In 1938 he married and moved to Arran, where he spent the rest of his life, except for a period of service in the Royal Artillery, 1940-1946. His most important literary works were plays, but he also wrote poetry, short stories, and books on Arran.
Touring production file of ‘High places’ by Ena Lamont Stewart, containing: programme; press cuttings; press releases; correspondence; tour schedule; actors biographies and other material., 1985.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production file of "Long story short: voices of today's Scotland" by Donald Campbell, James Graham, Tom Leonard and others, 1989, containing photographs, programme, poster, flyer and audio-cassette of radio programme, ‘Tuesday Review’, 21 March 1989., 1989.
Additional authors include: Aonghas MacNeacail; Anne Marie di Mambro; Gurmeet Mattu; Rona Munro; Ricky Ross; and Ann Samuel.
Touring production files for 'Men should weep', by Ena Lamont Stewart., 1982-1986, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of '24 hours' by Frances Corr, Deirdre Heddon, Jess Kerr and others., 1997-1998, 2000, undated.
Additional authors include: Ernie Kyle; Frank Shields; and Rhiannon Tise.
Touring production files of 'A little rain' by Peter Arnott., 2000, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Angels in America' by Tony Kushner., 1996, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Antigone' by Sophocles, translated by Don Taylor., 1993, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Boiling a frog' by Christopher Brookmyre, adapted for the stage by Christopher Deans., 2005, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Bold girls' by Rona Munro., Undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Borderlands' by Andrew Doyle., 2005, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Born guilty' based on the work of Peter Sichrovsky., 1995, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of 'Caledonia dreaming' by David Greig., 1997-2000, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.
Touring production files of "Can't pay? Won't pay" by Dario Fo., 2003, undated.
Many of the production files contained information which could be deemed sensitive under the terms of the Data Protection Act 1998. For the sake of record, one file (‘Caledonia Dreaming’) has been kept in its entirety, though anyone wishing to consult it will have to comply with the terms of the Act and complete relevant paperwork. Potentially sensitive material, such as contracts, have been removed from all other files and shredded.