Scores.
Found in 264 Collections and/or Records:
‘Nocturne for string orchestra, to the memory of Dylan Thomas’, undated, by Ronald Center., [Circa 1953.]
The nocturne is undated, but doubtless circa 1953.
Orchestral and band music of David Stephen., 1913-1940, undated.
Most of the compositions appear to be unpublished.
Orchestral and band music of David Stephen., 1927-1940, undated.
The contents are as follows:
(i) Short score, with instrumentation indicated in red ink, of 'Sinfonietta', an orchestral work in three movements, 1927-1928 (folio 1);
(ii) Full score of 'A Scottish pastoral', an orchestral work in one movement, 1940 (folio 15);
(iii) Full score of 'In honorem' a work in one movement for band (folio 25), undated but would appear to have been composed during or shortly after the First World War.
Orchestral music of G W Crawford., [?1892-?1941.]
Orchestral music of Ian Whyte., Mid 20th century.
Apart from the film music, which is datable to 1947-1948 from the accompanying correspondence and papers (MSS.22085-22086), almost all the music is undated; but from the ink used, some of it may be dated to about the same period.
Except where otherwise stated the music is written as for keyboard.
Orchestral parts of the Triumphal march from the Second Suite in C major, and draft full score of the first section of ‘At the ball’, by G W Crawford., [?1892-?1941.]
Orchestral, vocal and other music scores of Ian Whyte., 1947-1951, undated.
Apart from the film music, which is datable to 1947-1948 from the accompanying correspondence and papers (MSS.22085-22086), almost all the music is undated; but from the ink used, some of it may be dated to about the same period.
Except where otherwise stated the music is written as for keyboard.
Original and revised autograph settings by Robin Orr of "The Kimmers o' Cougate", a song from Sydney Goodsir Smith's play 'Colickie Meg', preceded by a letter of the composer presenting the setting to the donor., 1955.
Overture to ‘Cardinal Beaton’, a drama by W Roberton, arranged by G W Crawford for brass band., [?1892-?1941.]
Parts and score of the piano quintet in G by W B Moonie., 1918.
Parts for piano (conductor) and full score of numbers 2-4 of an arrangement for the BBC Octet of the orchestral suite, undated, 'Land of the heather’., 1st quarter of 20th century-3rd quarter of 20th century.
Some of the scores are incomplete.
Photocopy of the autograph orchestral score of 'llaia, May 1873' by Charles François Gounod, a setting of a poem on David Livingstone's death by R M Milnes, Baron Houghton, with a note by the composer, 1874., 1873, 1874.
Piano reduction and reduction of wind parts of 'Undine' by G W Crawford., [1939.]
Piano reductions and full score of selections of ’The duenna’ by G W Crawford, [?1892-?1941.]
The contents are as follows:
(i) Piano reduction of overture (folio 1);
(ii) Piano reduction of introduction and songs in act I (folio 11);
(iii) Piano reduction of a selection (folio 23);
(iv) Full score of a selection (folio 35).
Piano solos, chiefly undated, of Ronald Center, arranged in alphabetical order as far as possible., 1940, 1942, undated.
Apart from folios 37 and 38 verso, dated 1940 and 1942 respectively, the pieces are undated.
'"Plague". A mystical musical play in one act, words by Ian Robertson, music composed by Learmont Drysdale': orchestral score., [Circa 1894.]
'"Plague". A mystical musical play in one act, words by Ian Robertson, music composed by Learmont Drysdale': sketch score., [Circa 1894.]
'"Plague". A mystical musical play in one act, words by Ian Robertson, music composed by Learmont Drysdale': vocal score., [Circa 1894.]
'"Plague". A mystical musical play in one act, words by Ian Robertson.' Vocal and orchestral scores by Learmont Drysdale, with a 'sketch score'., [Circa 1894.]
‘Portions’, possibly drafts, of the full score of an overture in A minor by G W Crawford., [?1892-?1941.]
Printed music books and scores., 4th quarter of 19th century - 1st quarter of 20th century.
Printed music books and scores., 4th quarter of 19th century - 1st quarter of 20th century.
Printed music books and scores., 4th quarter of 19th century - 1st quarter of 20th century.
Psalm settings by Ian Whyte., Mid 20th century.
'Quive il corse nudo il chiedi', 'Aria a canto solo con violino unissono', with figured bass, in score, with a separate violin part., [?1717.]
MSS.9447-9458 consist of Scottish and English music, and French lute music, all dating from before 1675. MSS.9459-9469 consist of French music brought to Scotland by James and Harie Maule after their visits to France between 1678 and 1683. MSS.9470-9475 are opera scores and parts acquired by James Maule when in exile in Italy after the 1715 rising.