Scores.
Found in 316 Collections and/or Records:
Adaptations of 'The ballad of Peckham Rye', by Muriel Spark., 1960-1983.
Arrangements of "A Scottish Cantata or Choral-Ballad ‘Lochinvar’" by G W Crawford, being settings of the poem by Sir Walter Scott., [?1892-?1941.]
Autograph and fair copies of scores and parts, and correspondence, of William B Moonie., 1st quarter of 20th century-3rd quarter of 20th century.
Autograph copy, 1969, of ‘Three songs of innocence’, an arrangement, 1929, by Robin Orr of ‘Infant joy’, ‘The lamb’ and ‘The shepherd’ by William Blake, for mezzo soprano and string quartet (‘alternative version with piano accompaniment’)., 1929.
Autograph draft short score of the apparently unpublished piano concerto of Edward Harper.
A leaf is torn out after folio 16.
What appears to be an extract from ‘Variazioni’ by Luciano Berio is written at folio 20.
Autograph musical scores of David Dorward., 1961, 1967, undated.
Autograph musical scores of David Dorward containing sketches and some final versions of works for various combinations of instruments, including voices.
Two of the pieces are dated 1961 and 1967. The remainder, though undated, appear to have been written at about the same period.
Autograph musical scores, undated, of David Dorward., [?1961-?1967.]
Autograph score, 1953, of ‘Sonata for violoncello and piano’ by Hans Gál.
The score bears a few corrections, one of which is written on a scrap of paper (folio 13) pasted to folio 14. Folio 15 consists of two leaves pasted together.
Autograph score, [circa 1920], of the piano quintet number 2 in D by W B Moonie, with later amendments., [Circa 1920.]
Autograph score of 'Quintet No 1' for pianoforte and strings by Cyril Scott.
Apparently unpublished, this is not the ‘Quintet’ published, 1926, as part of the Carnegie collection of British Music.
A leaf is cut out after folio 6 and a few more after folios 49.
Autograph score of the overture “Tam o' Shanter”, Opus 51, by Malcolm Arnold, bearing several marks from use in performance.
Autograph score of the piano quintet in G by W B Moonie., 1918.
Autograph score of 'Three Songs of Night' for baritone and strings, composed by Leon Coates from ‘Pomes Penyeach’ by James Joyce, for the Music Society of St Peter's College, Oxford.
Autograph score of 'Two invocations for tenor and piano', opus 25, by John Joubert, with amendments in coloured inks.
Settings of 'To winter' (folio 2) and 'To spring' (folio 9) by William Blake.
The work was published in 1960 and received its Scottish premiere at the National Library of Scotland, 28 August 1969.
Autograph scores of musical compositions by David Stephen, Director of Music to the Carnegie Trust, Dunfermline.
Most of the compositions appear to be unpublished.
Autograph scores of orchestral works by William Wordsworth.
Autograph scores of original compositions and arrangements of William Bowie, organist and music teacher at the Royal High School, Edinburgh.
Autograph second draft with alterations and additions of short score of Concerto for String Orchestra, opus 39, by Kenneth Leighton, when Fellow of Worcester College, Oxford.
Autograph settings by Robin Orr of “The Kimmers o' Cougate” and Three Songs of Innocence by William Blake.
Ballet and dance music for orchestra by G W Crawford., [?1892-?1941.]
Berlioz's marked copy of a printed score of ‘Iphigénie en Tauride’ by Christoph Willibald von Gluck ([?Paris, ?1779]).
The copy is imperfect, lacking the title page. In addition to the amendments of Berlioz to instrumentation and dynamics, strips of blue paper on which is written an Italian version of the libretto are pasted to the printed pages, covering the French libretto, through the greater part of the volume. The paper covers in which the volume was previously enclosed are bound in at the back (folios i-iv).