Title pages.
Found in 24 Collections and/or Records:
Full score of brass band setting of 'Perthshire echoes'., 1st quarter of 20th century.
Fragments of the title page of a different, unidentified, edition are pasted to folio i. A photogravure of W B Moonie, apparently from the same source, is pasted to folio iv.
Full scores, undated, of various settings of 'Perthshire echoes', a suite of arrangements of Scottish airs or tunes named after various places in the county., 1st quarter of 20th century.
Letters to John Murray, publishers, of correspondents with surnames and company names from Hassall to Hathorn., 1820-1914.
Letters to John Murray, publishers, of correspondents with surnames and company names from Hollond to Hompesch., 1813-1922.
Letters to John Murray, publishers, of correspondents with surnames and company names from Lloyd, H. to Lloyd, W., 1826-1915.
Letters to John Murray, publishers, of correspondents with surnames from Gardyne to Garnish., 1827-1911.
Letters to John Murray, publishers, of correspondents with surnames from Gleig, M. to Godley., 1818-1917.
Letters to John Murray, publishers, of correspondents with surnames from Grey, E. to Grieve., 1781-1947.
Letters to John Murray, publishers, of correspondents with surnames from Halliday to Hamilton, A., 1807-1897.
Letters to John Murray, publishers, of correspondents with surnames from Hamilton, R. to Hamilton, T., 1814-1918.
Manuscripts and proofs of various works of John Wilson ('Christopher North')., [Circa 1814-1852, or after.]
Manuscripts and typescripts of various literary works by Sydney Goodsir Smith., [Circa 1938.]
The contents are as follows. (i) Manuscript and typescripts of the introduction and opening chapter of 'Aubrey Beardsley: a study in the grotesque', 1937 (folio l); (ii) Manuscript of part of an autobiographical novel, 1938 (folio 22). It includes a title-page for 'The wilderness' (folio 25), but the text is not related to MS.26144. (iii) Manuscript fragment of a fictional description of a visit to Venice, circa l938 (folio 61).
Manuscripts of the title page, 'dramatis personae', and scenes xi, xii, and xiii of ‘Firmilian’ by William Edmondstoune Aytoun; and fragments of corrected proofs, 1854, or before.
Miscellaneous fragments., 16th century, 18th century.
Miscellaneous letters and papers formerly in the possession of the Reverend John Stirton., 1477-1933, undated.
Music books and papers of Robert Moir (died 1869), who was President of the Edinburgh Church-Music Society and subsequently Conductor of Music at St Magnus' Cathedral, Kirkwall.
Notes for and corrected typescript, undated, of 'The Bull of Crete: a fable in three acts' by Sydney Goodsir Smith, also based on the Theseus and Ariadne legend., Mid 20th century-3rd quarter of 20th century.
There are three title-pages (folios 37-39), one of which gives the author's name as John Abbot, and another gives alternative titles.
Papers of Robert Moir., 1537-1862, undated.
Photocopies of miscellaneous papers of and concerning David Livingstone., 1825-1858.
Scores and orchestral parts of works composed or arranged by W B Moonie., 1st quarter of 20th century-3rd quarter of 20th century.
Some of the scores are incomplete.
Scores of operatic works by James A Moonie, and autograph and fair copies of scores, and correspondence of his son William B Moonie.
Scrap-book of John A Hipkin., Late 19th century-early 20th century.
The scrap-book includes: Bewick prints; illustrations of the work of Charles Keene, including frontispieces and title-pages drawn by him for Mr Punch's Pocket-book, 1864-1874; and Christmas cards painted by Frank Maguire.
Student's notes of lectures on Government given by Professor John Millar., 1780-1781.
The student notes are preceded by a printed title page, ‘A Course of Lectures on Government; given annually in the University, Glasgow, 1778', with an analytical list of the lectures.
Typescripts, with a few manuscripts of poems in English, by Sydney Goodsir Smith., 1930-1939, undated.
There are several copies of some of the poems, and a number of title-pages, which suggest that Sydney Goodsir Smith was arranging the poems for publication.