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Vocal scores.

 Subject
Subject Source: Other Source
Scope Note: Arrangements of ensemble compositions including voices, in which the instrumental parts are reduced for piano (normally solo) or organ, while the vocal parts appear on separate staves. Source: 'The new Grove dictionary of music and musicians', 2nd edition (Oxford, 2001).

Found in 39 Collections and/or Records:

Choir arrangement of the song 'A Mhàiri bhàn òg, 's tu 'n òigh th' air m' àire' by Donnchadh Bàn Mac-an-t-Saoir., undated; ca. 1980

 Item
Identifier: Acc.13695/77
Scope and Contents

A choir arrangement for four voices by an unidentified arranger. Comprises 50 bars. Previous arrangements for four voices can be found in 'A' Choisir-Chiùil' (London & Glasgow, 1900), 53, arranged by Archibald Ferguson, and in 'Coisir a' Mhòid' I, 1896-1910 (Paisley, [1912]), 4, arranged by W.H. Murray. 5 sheets.

Dates: undated; ca. 1980

Choral music of G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21920-21923
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score and vocal score of ‘Gehazi’, a ‘dramatic sacred cantata in two acts, the words written and adapted from the Bible’ [from the Second Book of Kings] by G W Crawford., 1892.

 Sub-Series
Identifier: MSS.21958-21959
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: 1892.

Full score and vocal score of incidental music of G W Crawford for 'Zoe the Gypsy', with words by Lewis Spence., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21965-21966
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full scores and vocal score of ‘The lady of the lake’, an opera in four acts adapted by G W Crawford from the poem by Sir Walter Scott., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21952-21955
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Gaelic songs, 1956-1958 and undated

 File
Identifier: Acc.14003/19
Scope and Contents A small number of Mòd programmes and texts of Gaelic songs written down by Farquhar Macintosh. The Mòd programmes are: An Comunn Gàidhealach, 'Mòd 1956: Earrann na h-Oigridh'; An Comunn Gàidhealach, 'Orain-aon-neach leabhar IX, Mòd 1956, Na Leargaidh Ghallda; An Comhlan Gaidhealach, Knightswood and District Highland Association, Ninth Annual Juvenile Mod, 25 January 1958 (at which Macintosh was an adjudicator).The Gaelic songs texts, in Macintosh's hand, are: Two...
Dates: 1956-1958 and undated

Incidental music of G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21963-21967
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Libretto and vocal score of ‘The speed cop’, a comic opera in a prologue and three acts by G W Crawford, with libretto by Clement J Bundock., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21956-21957
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Miscellaneous musical stage works of G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21958-21962
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Music for voices by G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21920-21924
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Music of G W Crawford for stage works., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21936-21967
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Scores and piano reductions of ‘The Grand Lama’, a comic opera in three acts by G W Crawford, with libretto by James N McLaurin., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21948-21951
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]