Illustrations. Layout features.
Found in 167 Collections and/or Records:
Page proofs of the introductory pages to "Missionary travels and researches in South Africa"; with two impressions from a ?lithograph depicting a Bechuana reed dance., 1857.
Papers and art work of Angela Lemaire, artist and engraver.
Papers concerning Francis Darwin: mostly letters of publishers, printers, etc., to John Murray, publishers, concerning Francis Darwin`s works. Also included are papers concerning Francis Darwin`s interests in the works and in the copyright of his father, Charles Darwin., 1885-1899.
Papers found loose in, or otherwise associated with, various manuscripts belonging to the Society of Antiquaries of Scotland, now bound together., 1681-1919, undated.
Papers of Agnes Miller Parker.
Includes sketches, proofs, engravings for book illustrations and 560 letters, mostly concerning her engravings.
Papers of Alasdair Gray.
Includes corrected manuscript and typescript drafts and revised versions of "Poor Things", "Ten Tales Tall and True", and "Why Scots Should Rule Scotland", together with correspondence concerning publication of "Poor Things".
Papers of and concerning James Nasmyth., 1861-2002.
Papers of Margery Clinton, potter, containing correspondence, financial records, working papers and other related material.
Papers of Nigel Tranter.
Includes corrected manuscripts and typescripts of 24 novels, with related proofs, research notes and art-work.
Papers of Peter White including sketchbooks, specimens of commercial art-work, his illustrated diary and materials for, and the typescript of, his memoir published as "With the Jocks" (2001).
Papers relating to the illustrations published in 'Scotland: a concise cultural history', edited by Paul Henderson Scott, containing correspondence and notes of and copies of some of the illustrations., Circa 1990-1993.
"Penson's short progress into Holland, Flanders, and France, with remarques, written by Thomas Penson, Anno Domini 1690", and account of a tour made in the second half of 1687.
Photocopies of Cecil Hopkinson, containing text and various illustrations relating to Giuseppe Verdi., Undated.
Concerning Hopkinson`s bibliographies of Berlioz and Verdi.
Photocopy of a tour of the English Lake District and Scotland.
Text in verse with many illustrations and calligraphic embellishments.
Photostat of a contemporary copy of 'Ung livret et traicte pour entendre quel ordre et train ung prince ou chef de guerre doibt tenir pour conquester ung pays ou passer on traverser le pays des ennemys. Compose par Messire Berault Stuart', i.e., Bernard Stuart, 3rd Seigneur d'Aubigny.
The manuscript is illustrated with seven miniatures.
Plates containing 30 images of William Johnstone.
Including 20 plates used in "Twenty Poems by Hugh MacDiarmid".
Portfolio of W A Hall, apprentice cartographer at John Bartholomew and Son Ltd.
Includes art, calligraphy and illustrating stages of map production.
Programme of concert at Kilmeny, Islay, illustrated in pen and ink., 1915.
Proofs for illustrations of Donald MacKenzie for Paul Harris, "The Rhythm of the Glass" (1977), and Garrett Anderson, "Brennan`s Book" (1977).
Proofs of and illustrations for three collections of poems of Samuel Pollock.
Research files of Patrick and Joan Leigh Fermor., 1831-2011, undated.
Robert Louis Stevenson, "The History of Moses" (1856).
Text as dictated to Stevenson`s mother, with his signature and sketches illustrating the work.
With copy of "The Happy Sunday Book of Painted Pictures" (London, undated) given to Stevenson as a prize, and a copy of the privately printed edition of the Stevenson manuscript by A Edward Newton, and a note by Newton on his acquisition of the manuscript.
Scrap-book of John A Hipkin., Late 19th century-early 20th century.
The scrap-book includes: Bewick prints; illustrations of the work of Charles Keene, including frontispieces and title-pages drawn by him for Mr Punch's Pocket-book, 1864-1874; and Christmas cards painted by Frank Maguire.
'Scraps given by the old familiars of John A. and Edith J. Hipkins. Collected by the survivor.’, Late 19th century-early 20th century.
The scrap-book contains a painting and woodcuts by Joseph Crawhall (given to John A Hipkins by Charles Keene); original drawings by Birket Foster, Harrison Weir, Lawrence Alma-Tadema, J F Sullivan, John A Hipkins himself, and others; a painting by Edith J Hipkins (page 64); illustrations cut out of Punch and other reproductions; and Valentines, letters, etc., addressed to Miss Hipkins.