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Simon, Edith (writer and artist) (1917-2003)

 Person

Dates

  • Existence: 1917-2003 - 2003

Biography

Edith Simon was born on 18 May 1917 in Berlin, Germany, to Walter and Grete Simon. Educated at the Fürstin-Bismarck Gymnasium, she showed a talent for art and history, and enjoyed early success with the publication of her drawings whilst still only 10 years old. Her father Walter, a decorated Great War veteran and successful businessman, moved with his young family to London when Edith was just 15, as the political climate in Germany became increasingly threatening. Edith, alongside her younger sister Inge, arrived in the British capital in 1932.

Edith studied for a short time at both the Slade School of Fine Art and the Central School of Art and Design. She also became an early member of the Artists International Association (AIA), which formed in London in 1933.

Writing Career

Embarking on her professional writing career, Edith’s first book was a children’s adventure story which she wrote and illustrated, titled Somersaults and Strange Company, published by Lawrence & Wishart in 1937. She had also begun working at this time as a book jacket illustrator, demonstrating her signature style and draughtsmanship. In 1938, she translated Arthur Koestler’s The Gladiators into English, which was published a year later. Her first novel, The Chosen, was published in 1940 by John Lane, The Bodley Head, when Edith was still only 23.

She would go on to author 17 books, including contemporary novels, historical novels, and histories, as well as contributing to edited collections. Her published work includes:

Somersaults and Strange Company (Lawrence & Wishart 1937)

The Gladiators by Arthur Koestler, (UK Johnathan Cape 1939; US Macmillan - New York 1939) (translated by Edith Simon)

The Chosen (The Bodley Head 1940)

Biting the Blue Finger (The Bodley Head 1942)

Wings Deceive (The Bodley Head 1944)

The Other Passion (The Bodley Head 1948)

The Golden Hand (UK edition Cassell & Co. Ltd. 1952; US edition G.P. Putnam's Sons 1951)

The Past Masters (UK edition Cassell & Co. Ltd. 1953; US edition 'The House of Strangers', G.P. Putnam's Sons 1953)

The Twelve Pictures (UK edition Cassell & Co. Ltd. 1956; US edition G.P. Putnam's Sons 1955)

The Sable Coat (Cassell & Co. Ltd. 1958)

The Piebald Standard: A Biography of the Knights Templar (UK edition Cassell & Co. Ltd. 1959; US edition G.P. Putnam's Sons 1959)

The Undying Past, ed. Orville Prescott (Doubleday 1961) (contributor)

The Great Forgery (UK edition Cassell & Co. Ltd. 1962; US edition Little, Brown & Co. 1962)

The Making of Frederick the Great (UK edition Cassell & Co. Ltd. 1963; US editions Little, Brown & Co., reprint Greenan Press)

Friedrich Der Grosse, Das Weiden eines Königs (Rainer Wunderlich Verlag, Hermann Leins, Tubingen, 1963)

The Book of Books – A Treasury of Great Bible Fiction, eds. Irwin R Blacker & Ethel H Blacker (Holt, Reinhart & Winston NY, 1965) (contributor)

The Reformation (Time-Life 1966)

Die Reformation von Edith Simon und der Redaktion der Time-Life (Time-Life 1967)

The Saints (UK edition Weidenfeld & Nicolson 1968; US edition Delacorte Press 1968)

Luther Alive (UK edition Hodder & Stoughton 1968; US edition Doubleday 1968)

The Anglo-Saxon Manner (Cassell & Co. Ltd. 1972)

The Makers of Modern Thought (Horizon Books American Heritage Books – subsidiary of McGraw Hill 1972) (contributor)

‘Frederick II the Great of Prussia’ (Encyclopaedia Britannica 1974) (contributor)

In addition, Edith also wrote two plays ‘The Inimitable’ and ‘Love Me, Scum’, neither of which were ever performed, and she completed a film script entitled 'A Perfect Marriage'.

It was in London in 1942 that Edith met the noted scientist Dr. Eric Reeve, whom she married that same year. The couple moved to Edinburgh in 1947 to facilitate Eric’s new role with Edinburgh University’s Genetics Department. They lived first at Mortonhall House, alongside a team of geneticists also working at the University. They would subsequently move to Roseberry Crescent, and Lansdowne Crescent, before settling permanently in Grosvenor Crescent. They had three children, Antonia (b.1950), Simon (b.1952), and Jessica (b. 1954).

Art Career

Edith returned to her artistic practice in the early 1970s, participating in an early exhibition at the Demarco Gallery in Edinburgh in 1970, followed by her first one-woman show at Gallerie Balans in Amsterdam in 1971 where she presented mobile sculptures and her signature papercut bas relief paintings. Edith would go on to stage and appear in over 50 exhibitions throughout her career. She experimented with and explored many mediums and forms including continuous line drawings, papercut bas relief scalpel paintings, rope sculptures, mobile and soft sculptures, sculptures in stained wood, ciment-fondue, vacuum formed perspex, cast polyester resin, cold-cast bronze, copper, aluminium, metal sheet, and carved plaster. She also utilised painted glass, as well as undertaking murals in paint and wood veneer. For over thirty years, she exhibited annually at the Edinburgh Festival, with her final show being held in 2001. [A full list of exhibitions (1970-2003) is available on the Edith Simon Gallery website cited below.]

In 1995, Edith contracted a respiratory infection which revealed an existing condition, widely known as emphysema. This necessitated the use of daily oxygen for the remainder of her life. Edith Simon died in Edinburgh on 7 January 2003.

Biographical information has been taken from ‘Moderation be Damned: Edith Simon’, published by Antonia Reeve in 2005, alongside the artist’s biographical note on the Edith Simon Gallery website, available at edith-simon.com.

Found in 450 Collections and/or Records:

Book-related press cuttings, 1940-1969

 Sub-Series
Identifier: Acc.13772/232-238
Scope and Contents

This sub-series contains the press cuttings Edith Simon retained, documenting press coverage and reviews for her writing career and published books.

Dates: 1940-1969

Bound typescript of 'The Inimitable', a play in four acts, by Edith Simon, ?1957-?1963

 File
Identifier: Acc.13772/177
Scope and Contents

Title page features the address of TheatreWork (London) Ltd., 12 Abingdon Road, London W.8, and a German-language annotation in the top right corner.

Dates: ?1957-?1963

Box 8 Box containing general correspondence to Edith Simon, bulk: 1961-1964, 1973-1975

 Series
Identifier: Acc.13772 Box 8 (1-7)
Scope and Contents From the Record Group: This collection contains both the personal and professional papers of Edith Simon, documenting her career as an artist and writer. The papers contain both personal and professional correspondence; notebooks, manuscript and typescript drafts, research material, and news cuttings concerning her writing; alongside photographs, news cuttings, art diaries and ephemera documenting her artistic work. The broad scope of the material may be summarised as follows:Boxes 1-6. ...
Dates: Majority of material found within 1961-1964, 1973-1975

Box 9 Box containing general correspondence to Edith Simon, 1976-1980

 Series
Identifier: Acc.13772 Box 9 (1-8)
Scope and Contents From the Record Group: This collection contains both the personal and professional papers of Edith Simon, documenting her career as an artist and writer. The papers contain both personal and professional correspondence; notebooks, manuscript and typescript drafts, research material, and news cuttings concerning her writing; alongside photographs, news cuttings, art diaries and ephemera documenting her artistic work. The broad scope of the material may be summarised as follows:Boxes 1-6. ...
Dates: 1976-1980

Box 11 Box containing general correspondence to Edith Simon, 1985-1987

 Series
Identifier: Acc.13772 Box 11 (1-3)
Scope and Contents From the Record Group: This collection contains both the personal and professional papers of Edith Simon, documenting her career as an artist and writer. The papers contain both personal and professional correspondence; notebooks, manuscript and typescript drafts, research material, and news cuttings concerning her writing; alongside photographs, news cuttings, art diaries and ephemera documenting her artistic work. The broad scope of the material may be summarised as follows:Boxes 1-6. ...
Dates: 1985-1987

Box 15 Box containing publishing-related correspondence to Edith Simon, and general personal correspondence from individuals, 1932-2001

 Series
Identifier: Acc.13772 Box 15 (1-4)
Scope and Contents From the Record Group: This collection contains both the personal and professional papers of Edith Simon, documenting her career as an artist and writer. The papers contain both personal and professional correspondence; notebooks, manuscript and typescript drafts, research material, and news cuttings concerning her writing; alongside photographs, news cuttings, art diaries and ephemera documenting her artistic work. The broad scope of the material may be summarised as follows:Boxes 1-6. ...
Dates: 1932-2001

Box containing a photograph album of 'exhibition photographs', of Edith Simon , bulk: 2000-2001, 2003

 File
Identifier: Acc.13772/287
Scope and Contents

Album contains colour photographs of scalpel bas relief paintings, sculptures, and continuous line paintings. Photographs also include social snaps of exhibition events with Edith Simon and guests. A manuscript cover page at the beginning outlines the exhibitions represented. These include 'Edith Simon Once Again' (2000); 'Edith Simon Come Again' (2001); and 'Edith Simon Memorial Exhibition' (2003). 'Boys' at Chessel Gallery (2000) is listed but not included amongst the photographs.

Dates: Majority of material found within 2000-2001, 2003

Box containing cassette tapes, undated

 File
Identifier: Acc.14390 Box 45
Scope and Contents

A number of cassettes have been labelled and appear to concern exhibitions and audio visual projects.

Dates: undated

Box containing envelopes of negatives, ordered by art forms and accompanying codes, undated

 File
Identifier: Acc.14390 Box 42
Scope and Contents

Art forms represented include sculpture, theatre, drawings and paintings, rope sculptures, mobile or soft sculptures, and continous line drawings. One envelope is also labelled 'Sitters'.

Dates: undated

Box containing loose sheets of slides, by art form, undated

 File
Identifier: Acc.14390 Box 35
Scope and Contents

Art forms represented include rope sculptures, furniture, continuous line drawings, cp, veneer wood cuts, theatre. Certain slides also depict exhibitions.

Dates: undated

Box containing papers of Edith Simon concerning her youth and early writings, entitled 'Juvenilia', 1930-1937

 Series
Identifier: Acc.14390 Box 2 (1-12)
Scope and Contents From the Collection: This collection contains additional papers relating to Edith Simon's career as an artist and writer, as well as some early juvenilia, embracing her illustration and creative writing. The collection also contains a series of papers relating to her husband, the noted geneticist, Dr. Eric Reeve, documenting his university studies at the University of Oxford, his subsequent war service, and his later career at the University of Edinburgh. The broad scope of the collection may be...
Dates: 1930-1937

Box containing papers regarding Edith Simon's writing and art career, and family life, 1947-?2003

 Series
Identifier: Acc.14390 Box 3 (1-11)
Scope and Contents From the Collection: This collection contains additional papers relating to Edith Simon's career as an artist and writer, as well as some early juvenilia, embracing her illustration and creative writing. The collection also contains a series of papers relating to her husband, the noted geneticist, Dr. Eric Reeve, documenting his university studies at the University of Oxford, his subsequent war service, and his later career at the University of Edinburgh. The broad scope of the collection may be...
Dates: Majority of material found within 1947-?2003

Box containing slide storage boxes, ordered by art forms and accompanying codes, undated

 File
Identifier: Acc.14390 Box 40
Scope and Contents

Art forms represented include drawings and paintings, continuous line drawings, CP, veneer wood cuts, mobile or soft sculptures, rope sculptures, sculptures, and papercut bas relief scalpel paintings. Boxes are also present which have been labelled as Amsterdam 1971; Furniture; Exhibitions 1978-1979; and Theatre 1978.

Dates: undated

Box containing the contents of a portfolio of Edith Simon entitled 'Sculpture Photographs', Undated

 File
Identifier: Acc.13772/288
Scope and Contents File contains monotone and colour photographs by Antonia Reeve of various sculptures by Edith Simon. The majority of photographs feature titles and measurements. Some sculptures appear in situ in outdoor spaces, whilst others are internal studio stagings. Folder also includes a photograph of a rope sculpture by Simon, 'Horse'; a photograph of Edith meeting Queen Elizabeth II at the unveiling of her work 'Runners' at Lammermuir House, Dunbar, in 1986; and a photocopy of the original folder...
Dates: Undated

Box containing the contents of a portfolio of Edith Simon, namely press cuttings concerning her artworks and exhibitions , 1988-1997

 File
Identifier: Acc.13772/262
Scope and Contents File contains original press cuttings and copies of articles and reviews concerning specific exhibitions. Exhibitions include The New Underground (1989); Society of Scottish Artists and Artist Craftsmen exhibition (1990); Lovely Odd Fish (1990); People in Papercut and Sculpture (1990); Signals II (1991); The Brillian Alternative Portrait Gallery (1992); New Locations-New Departures (1995); Thesis, Antithesis, Synthesis (1996); and Edith Simon: Works (1997). This file also includes an...
Dates: 1988-1997

Box containing video cassettes, undated

 File
Identifier: Acc.14390 Box 46
Scope and Contents From the Collection: This collection contains additional papers relating to Edith Simon's career as an artist and writer, as well as some early juvenilia, embracing her illustration and creative writing. The collection also contains a series of papers relating to her husband, the noted geneticist, Dr. Eric Reeve, documenting his university studies at the University of Oxford, his subsequent war service, and his later career at the University of Edinburgh. The broad scope of the collection may be...
Dates: undated

Brief incomplete letters; draft documents and lists; and items of ephemera retained by Edith Simon, bulk: 1956-1964, 1998-1999, undated

 File
Identifier: Acc.13772/295
Scope and Contents File contains a card from Antonia Reeve to her mother Edith in reverse mirror script (undated); letter and card from Inge Goodwin to her sister Edith (undated); two Boots pharmacy prescriptions for Edith Simon (1956, 1964); a copy typescript draft for an essay entitled ‘Memorandum on thoughts on Deacon Brodie’s Serial’ (undated); a typescript draft for an [essay] entitled ‘Voice Crying in a Wilderness of Plenty' (undated); a PC-printed chronology of the life of Leonardo da Vinci (undated);...
Dates: Majority of material found within 1956-1964, 1998-1999, undated