Melodies.
Found in 168 Collections and/or Records:
Most of the material for MS.3110: 'Collection of Ancient Piobaireachd Music...', in rough form, with jottings of some reels and marches, one or two tunes from Angus Mackay's ‘Collection of ancient Piobaireachd’, and one, apparently, from the Ballindalloch Manuscript., 1882, undated.
Several tunes are given under names other than those which they usually bear. At folio 1 is a circular letter, undated, of Donald Stuart Macdonald, from Malta, announcing his intention of continuing Angus Mackay's publication.
'MS. airs from various sources, Vol. I', being transcripts of William Thomson's ‘Orpheus Caledonius’, and music from other sources, with notes, etc., by John Muir Wood., 1876.
Begun in 1876. Notes, etc., found loose in the volume have been pasted in at the end.
'MS. airs from various sources, Vol. II', being a transcript of Alexander Stuart's "Musick for Allan Ramsay's collection of songs"., 1877.
With notes and lists of the contents of this and other volumes, by John Muir Wood. Begun in 1877. A sheet of music found loose in the volume has been pasted in at the end.
Music book containing dances and other tunes, of which some are by William Marshall., [1808, or after.]
The music book contains leaves watermarked 1808.
Many of the pieces are written in pencil.
Music book containing Scottish tunes and ballroom dances., [Circa 1860.]
Music book of William A Morren, Lochee, including many tunes by James Scott Skinner, and three set for bagpipe., 1929.
Music book of William Robertson., 1930.
A scrap album with tunes, chiefly for keyboard, and chiefly from published collections, pasted in. The music is in several hands, some earlier than the album as a whole.
Music by James Scott Skinner., 1894-1943, undated.
Music by James Skinner Paterson, schoolmaster at Rathven., [Circa 1905.]
The music consists of orchestrations of selections from William Marshall (folio 1); 'Monymusk' (folio 9), and 'Tynet' (folio 15), two suites of strathspeys; with a collection of James Paterson’s fiddle tunes in John Murdoch Henderson's hand (folio 23).
Music manuscript sketch-book of Ronald Center containing on the versos of the leaves sketches of the 'Dies irae' from the Requiem, with drafts of other pieces., Mid 20th century.
As well as the 'Dies Irae' (folio 1 verso; cf. MS.22173, folio 100 for the final version), there is also what appears to be a draft of a fugue in F minor, 4/4, for piano solo (folio 1); ‘Air’ (folio 8; cf. MS.22171, folio 1 for the final version) and ‘Cradle song’ (folio 10; cf. MS.22173, folio 119 for the final version).
Nineteenth-century copies of songs, dances, and other tunes, both traditional and contemporary, made by members, relatives, and friends of the family of Brown, residing at Linkwood, Elgin.
The music is chiefly arranged for pianoforte, except MS.3378, which is for violin.
Notebook I, Songs, 1904 and undated
A notebook compiled by John Tolmie and marked "I Songs" on the cover; 33 folios. Containing mostly texts of songs in English or Scots, with humourous, often Scottish- or Irish-related themes. Most of these are copied by hand, but some are cut out from newspapers and pasted in. Undated, with the exception of the song on ff. 28v-29v, not in John Tolmie's hand, which is dated 1904. The song "The wedding of Shon Maclean" (ff.11-12) includes the melody in tonic sol-fa notation.
'Old airs, collected and written down by George Riddell. Begun in 1903’., 1903.
108 airs, with many of which the words of one verse are given. To some, George Riddell has added a note stating where he obtained the melody.
'Old airs, collected and written down by George Riddell. Begun in 1903, book I', containing airs 1-84., 1903.
108 airs, with many of which the words of one verse are given. To some, George Riddell has added a note stating where he obtained the melody.
'Old airs, collected and written down by George Riddell. Begun in 1903, book II', containing airs 85-108., 1903.
108 airs, with many of which the words of one verse are given. To some, George Riddell has added a note stating where he obtained the melody.
Orchestration by James Skinner Paterson of a selection of tunes by James Scott Skinner., Late 19th century-1st quarter of 20th century
'Over the Water to Charlie': variants of words and music, removed from MS.3132., [1900, or after.]
Many of the notes are in the autographs of Frank Kidson and Thomas Davidson Cook. They are mainly textual, dealing with sources, language, spelling, etc., but some scores of tunes are given.
Papers collected by Walter McCulloch, schoolmaster in St Ninians, in his capacity as session clerk, concerning the parish of St Ninians., 1709-1850.
Walter McCulloch, schoolmaster at St Ninians and session clerk from circa 1779 to 1804, was related to the Wilson family through his daughter Martha, who married Alexander Wilson, younger son of the original William Wilson.
Papers of and concerning the firm of William Wilson and Son, tartan manufacturers in Bannockburn; and concerning the parish of St Ninians, Stirlingshire.
Papers of John Murdoch Henderson.
Papers of Robert Moir., 1537-1862, undated.
Part of a collection of fiddle tunes (numbers 7-17, 43-61, 69-189), compiled circa 1812, possibly in Dumfries or Galloway., [Circa 1812.]
'Pudding pyes' and other airs., [1715, or before.]
Score of 'Slow airs [for] violin & pianoforte' by John Davidson., [?1871-?1926.]
Portions of the volume are blank.
Scores and orchestral parts of works composed or arranged by W B Moonie., 1st quarter of 20th century-3rd quarter of 20th century.
Some of the scores are incomplete.