Vocal music.
Subject
Subject Source: Local sources
Scope Note: Musical compositions specifically composed or arranged for voice, regardless of the notation in which they are recorded. For compositions for choir use 'Choral music'.
Found in 5 Collections and/or Records:
Facsimile of chorus part of acts I-III of 'Christian the pilgrim', an opera, undated, by James A Moonie, with words adapted by George Peacock from “Pilgrim's progress” by John Bunyan; and a vocal trio from 'A broken coupling', undated, an operetta by Moonie.
File
Identifier: MS.22015
Dates:
1st quarter of 20th century-3rd quarter of 20th century.
Final, or fair copies of musical compositions, 1958-1967, by Martin Dalby, many in his autograph, arranged in chronological order.
Series
Identifier: MSS.22142-22143
Scope and Contents
The compositions are preceded (MS.22142, folio ii) by a typescript list of Martin Dalby's compositions to 1968 with additions in ink to 1969.
Most of the compositions are vocal, being settings of poems or scriptural texts, with or without keyboard accompaniment.
Dates:
1958-1969.
Operatic, instrumental, and vocal music by Learmont Drysdale (died 1909), much of it in the composer's autograph.
Series
Identifier: MSS.3199-3216
Dates:
Late 19th century-1909.
Orchestral, vocal and other music scores of Ian Whyte, and papers and music of his son, Don Whyte, chiefly undated.
Series
Identifier: MSS.22082-22094
Scope and Contents
Apart from the film music, which is datable to 1947-1948 from the accompanying correspondence and papers (MSS.22085-22086), almost all the music is undated; but from the ink used, some of it may be dated to about the same period.
Except where otherwise stated the music is written as for keyboard.
Dates:
1947-1960, undated.
Sound recordings concerning the life and career of Professor John Read, and his interest in alchemical music.
Collection
Identifier: UNLS036
Dates:
1935-1960.