Operas. Musical compositions.
Found in 41 Collections and/or Records:
Orchestral and some vocal parts, undated, of the operetta 'A broken coupling' by J A Moonie, with words by George Peacock and W W Macfarlane., 4th quarter of 19th century-1st quarter of 20th century.
Papers relating to libretti and lyrics of Gavin Ewart., 1955-1995.
Parts for first violin of arrangements of various (including some operatic) pieces by John Davidson., [?1871-?1926.]
An account book, from which many leaves have been cut or torn out, the surviving leaves of which were cut down to stubs on which were mounted the single sheets and bifolia (some of which are fragmentary) on which the music is written.
Piano reduction of ‘Cleopatra’ by G W Crawford., [?1892-?1941.]
Nine bars of music accidentally omitted in the transcription have been written in on a strip of paper tipped in at folio 19. A typed note on the work found loosely enclosed has been tipped in at MS 21944, folio i.
Piano score and part, 1916, of ‘Epitaph’ by G W Crawford, a song scena apparently an expanded setting of words derived from poetry by ‘Morgan Douglas’; followed by the libretto, undated, of ‘Artemis’ by Edward Oxenford., 1916, undated.
The libretto is possibly in the hand of Edward Oxenford.
Scripts of plays, operas and other related material of Isobel V S Dunlop., 1933-1972, undated.
Includes music scores, correspondence and papers concerning the Saltire Society and Saltire Music Group.
‘The weird of Colbar’ by W B Moonie (Edinburgh, [1936]), with his notes, amendments and extensive deletions for a curtailed studio performance, presumably that broadcast in 1937., 1936.
The opera was originally performed by the Glasgow Grand Opera Society in 1937.
In this arrangement, Act 1 is entirely omitted and the work begins on page 88, pages 1-87 being either cut out or sealed up. Several other groups of leaves were sealed up, but have been subsequently unsealed.
The composer's explanatory notes are on the outer and inner front cover and at folio 104.
Typescripts of librettos by Ian Rankin; with related developmental notes and published programmes., 2007-2008.
Vocal score of 'Anagilda', an opera in three acts, with violin and bass parts (figured in recitatives)., 1717.
Vocal score of 'Anagilda, atto primo'., 1717.
Vocal score of 'Anagilda, atto secondo'., 1717.
Vocal score of 'Anagilda, atto terzo'., 1717.
Vocal score of ‘The lady of the lake’ by G W Crawford., [?1892-?1941.]
A leaf has been cut out before folio 29.