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Scores.

 Subject
Subject Source: Art & Architecture Thesaurus
Scope Note: Original and entire drafts or transcripts of musical compositions or arrangements, typically with the parts of all the different instruments or voices written on staffs one above another, so that they can be read at a glance. Also, musical compositions recorded as a distribution of the parts (Shorter Oxford English Dictionary, 1933).

Found in 315 Collections and/or Records:

Two-stave reduction of Symphony number 3 in A minor by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21884
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Unbound manuscript music., 1743-19th century, undated

 File
Identifier: MS.3352 [Ing.305]
Scope and Contents The contents are as follows.(i) Military airs, almost all mentioned in the history of military music (MS.3353) which they were intended to illustrate. They are taken from various sources, such as the Dalhousie and Macfarlane manuscripts and a manuscript music-book of Charles Kirkpatrick Sharpe, and include transcripts of two manuscripts of William Byrd's Battle Piece. So far as possible, they have been arranged in the order in which they are mentioned in MS.3353, to the sections...
Dates: 1743-19th century, undated

'Violin solos', undated, by Maude Beswick., Mid 20th century.

 File
Identifier: MS.21635
Scope and Contents

The manuscript consists chiefly of pieces for violin and piano in score, but includes a version for two violins and piano of the first movement of the trio sonata in D at MS.21633.

Dates: Mid 20th century.

Volume 1: Acts 1 and 2, ca. 1855

 Item
Identifier: Acc.14056/1
Scope and Contents From the Item: A score in three volumes, written in Germany with the libretto translated into German. The copy is the work of several copyists, none of whom has been identified. The numbering of sections in the manuscript corresponds to the numbering found in Verdi's autograph rather than the printed editions of the opera. The German translation is that of Ricordi's edition of 1852. First German-language performances of Rigoletto took place in 1853. Consistent with the...
Dates: ca. 1855

Volume 2: Act 3, ca. 1855

 Item
Identifier: Acc.14056/2
Scope and Contents From the Item: A score in three volumes, written in Germany with the libretto translated into German. The copy is the work of several copyists, none of whom has been identified. The numbering of sections in the manuscript corresponds to the numbering found in Verdi's autograph rather than the printed editions of the opera. The German translation is that of Ricordi's edition of 1852. First German-language performances of Rigoletto took place in 1853. Consistent with the...
Dates: ca. 1855

Volume 3: Act 4, ca. 1855

 Item
Identifier: Acc.14056/3
Scope and Contents From the Item: A score in three volumes, written in Germany with the libretto translated into German. The copy is the work of several copyists, none of whom has been identified. The numbering of sections in the manuscript corresponds to the numbering found in Verdi's autograph rather than the printed editions of the opera. The German translation is that of Ricordi's edition of 1852. First German-language performances of Rigoletto took place in 1853. Consistent with the...
Dates: ca. 1855

Volume entitled 'Celtic music', compiled by David R Robertson, a mercantile clerk in Dundee, consisting of pipe tunes, poems, notes and memoranda, extracts from published sources, letters from correspondents interested in Gaelic culture, and some press cuttings and photographs.

 File
Identifier: MS.22164
Scope and Contents The title is taken from folio 1, a vellum leaf.Some items found loosely enclosed have been tipped or pasted in.The work consists of an introduction (folio 6) preceded by prefatory poems (folio 2), and eight sections: Old highland airs (folio 39), Clan tunes (folio 90), Jacobite airs (folio 131), Battle tunes (folio 159), Laments (folio 209), Old Scottish airs (folio 223), Army tunes (folio 244) and General marches (folio 276).There are two unrelated items:...
Dates: 1911-1912.

Wordless setting, undated, of the anonymous Scottish ballad 'Edward! Edward!'., 1st quarter of 20th century-3rd quarter of 20th century.

 Item
Identifier: MS.22009
Scope and Contents

This is a different setting to that at MS.22010, folio 1.

It is not clear whether it is a partly scored setting for orchestra, or fully scored for strings, cornets and organ. A leaf is cut out after folio 17, damaging the endpaper. Folios 15 and 16, which are slightly smaller than the rest, are later additions.

Dates: 1st quarter of 20th century-3rd quarter of 20th century.

Works for bassoon and orchestra, composed by G W Crawford for, and dedicated to, A T Wood, bassoonist with the Scottish Orchestra., [?1892-?1941.]

 File
Identifier: MS.21895
Scope and Contents The contents are as follows:(i) Full score (folio 1), three copies of a reduction for piano and bassoon (folios 11, 15, 21: the first begins at folio 11 verso), and the bassoon part (folio 27) of 'Variations on little brown jug' for bassoon and orchestra. The date '15/4/10' is written at folio 11. (ii) Score for piano and bassoon (folio 29) and part for solo bassoon (folio 43) of Episode for bassoon and orchestra.(iii) Full score (folio 47), reduction for...
Dates: [?1892-?1941.]