Skip to main content

Scores.

 Subject
Subject Source: Art & Architecture Thesaurus
Scope Note: Original and entire drafts or transcripts of musical compositions or arrangements, typically with the parts of all the different instruments or voices written on staffs one above another, so that they can be read at a glance. Also, musical compositions recorded as a distribution of the parts (Shorter Oxford English Dictionary, 1933).

Found in 315 Collections and/or Records:

Photocopies of autograph scores of four choral works by Shena Fraser.

 File
Identifier: MS.22147
Scope and Contents The contents are as follows:(i) 'Carillon’, a choral suite for women's or school choir and keyboard, 1956, which was published in 1958 (folio 1);(ii) 'To him give praise’, a choral suite for women's voices, strings and piano, 1959, which was published 1960 (folio 49);(iii) 'I saw a fair maiden’, for soprano, alto, tenor and bass, with tenor solo, which was published 1965 (folio 75); (iv) 'A quartette of carols', for treble voices and piano,...
Dates: 1956-[1965, or before], undated.

Piano reduction and reduction of wind parts of 'Undine' by G W Crawford., [1939.]

 File
Identifier: MS.21894
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [1939.]

‘Portions’, possibly drafts, of the full score of an overture in A minor by G W Crawford., [?1892-?1941.]

 File
Identifier: MS.21901
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Printed music books and scores., 4th quarter of 19th century - 1st quarter of 20th century.

 File
Identifier: Acc.13827/1093
Scope and Contents From the Fonds: The papers cover six centuries worth of family and estate papers of the Forbes, the Stuart Forbes, and the Trefusis families. Alexander de Forbes (c.1380-1448) was created the 1st Lord Forbes around 1440, the Lords Forbes of Pitsligo were descended from Sir William Forbes, brother of Alexander. The title was created in 1633 for Alexander Forbes (d.1636). His descendant Alexander Forbes, 4th Lord Forbes of Pitsligo (1678-1762) forfeited his estates following his support for the Jacobites in...
Dates: 4th quarter of 19th century - 1st quarter of 20th century.

Printed music books and scores., 4th quarter of 19th century - 1st quarter of 20th century.

 File
Identifier: Acc.13827/1094
Scope and Contents From the Fonds: The papers cover six centuries worth of family and estate papers of the Forbes, the Stuart Forbes, and the Trefusis families. Alexander de Forbes (c.1380-1448) was created the 1st Lord Forbes around 1440, the Lords Forbes of Pitsligo were descended from Sir William Forbes, brother of Alexander. The title was created in 1633 for Alexander Forbes (d.1636). His descendant Alexander Forbes, 4th Lord Forbes of Pitsligo (1678-1762) forfeited his estates following his support for the Jacobites in...
Dates: 4th quarter of 19th century - 1st quarter of 20th century.

Printed music books and scores., 4th quarter of 19th century - 1st quarter of 20th century.

 File
Identifier: Acc.13827/1095
Scope and Contents From the Fonds: The papers cover six centuries worth of family and estate papers of the Forbes, the Stuart Forbes, and the Trefusis families. Alexander de Forbes (c.1380-1448) was created the 1st Lord Forbes around 1440, the Lords Forbes of Pitsligo were descended from Sir William Forbes, brother of Alexander. The title was created in 1633 for Alexander Forbes (d.1636). His descendant Alexander Forbes, 4th Lord Forbes of Pitsligo (1678-1762) forfeited his estates following his support for the Jacobites in...
Dates: 4th quarter of 19th century - 1st quarter of 20th century.

Psalm settings by Ian Whyte., Mid 20th century.

 File
Identifier: MS.22088
Scope and Contents The contents are as follows:(i) Psalm 40: for soprano solo, chorus and orchestra, in rough full score with two fair copies in full score of the opening (folio 1);(ii) Psalm 42: draft setting for solo voice and keyboard (folio 23);(iii) Psalm 67: for chorus, harp, piano, organ and timpani, short score of the opening (folio 27);(iv) Psalm 121: apparently for solo chorus, draft of beginning (folio 31);(vi) Psalm 137: for chorus and...
Dates: Mid 20th century.

'Quive il corse nudo il chiedi', 'Aria a canto solo con violino unissono', with figured bass, in score, with a separate violin part., [?1717.]

 File
Identifier: MS.9475
Scope and Contents From the Series:

MSS.9447-9458 consist of Scottish and English music, and French lute music, all dating from before 1675. MSS.9459-9469 consist of French music brought to Scotland by James and Harie Maule after their visits to France between 1678 and 1683. MSS.9470-9475 are opera scores and parts acquired by James Maule when in exile in Italy after the 1715 rising.

Dates: [?1717.]

Score and copies of the violin part of a divertimento for string orchestra by Ronald Center., [1952, or before.]

 Sub-Series
Identifier: MSS.22174-22175
Scope and Contents From the Series:

The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.

Dates: [1952, or before.]

Score and parts for String quartet [number 1] by Ronald Center., [1964, or before.]

 Sub-Series
Identifier: MSS.22180-22181
Scope and Contents From the Series:

The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.

Dates: [1964, or before.]

Score, and short score and parts, undated, for 'Iona' and 'Meditations' by W B Moonie., 1st quarter of 20th century-3rd quarter of 20th century.

 File
Identifier: MS.21994
Scope and Contents

The contents are as follows:

(i) Portions of orchestral score of ‘Iona’, a work for voice, or voices, and orchestra (folio 1);

(ii) Parts for 1st and 2nd violin of (folio 10), and extra portion in short score (folio 16) for insertion into, ‘Meditations’ for piano and string orchestra.

Dates: 1st quarter of 20th century-3rd quarter of 20th century.

Score and violin part of Sonata for violin and piano by Ronald Center., Mid 20th century.

 File
Identifier: MS.22184
Scope and Contents From the Series:

The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.

Dates: Mid 20th century.

Score for String quartet number 2 by Ronald Center., Mid 20th century.

 Item
Identifier: MS.22182
Scope and Contents From the Series:

The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.

Dates: Mid 20th century.

Score for String quartet number 3 by Ronald Center., Mid 20th century.

 Item
Identifier: MS.22183
Scope and Contents From the Series:

The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.

Dates: Mid 20th century.