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Scores.

 Subject
Subject Source: Art & Architecture Thesaurus
Scope Note: Original and entire drafts or transcripts of musical compositions or arrangements, typically with the parts of all the different instruments or voices written on staffs one above another, so that they can be read at a glance. Also, musical compositions recorded as a distribution of the parts (Shorter Oxford English Dictionary, 1933).

Found in 315 Collections and/or Records:

Full score of incidental music of G W Crawford for 'Zoe the Gypsy'., [?1892-?1941.]

 Item
Identifier: MS.21965
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of incidental music of G W Crawford to ‘Fenella’, a play in one act by Lewis Spence., [?1892-?1941.]

 Item
Identifier: MS.21964
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of 'Macbeth' by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21892
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of ‘Missa Solemnis’, Opus 4, by David Stephen, for solo voices, chorus and orchestra., [?1899.]

 Item
Identifier: MS.22153
Scope and Contents

A proof copy of the title page is pasted inside the front cover (the work was published in 1899).

The text of the Mass is written in an imitation Gothic hand on the flyleaves.

In addition to the conductor’s markings in blue pencil, numerous brief corrections and additions have been written or pasted in throughout. Folio 11 is a half-sheet tipped in, and folios 38 and 85 each consist of two leaves stuck together.

Dates: [?1899.]

Full score of ‘Oh! Lord our governour’ by G W Crawford, a setting of Psalm 8 (prayer book version) for chorus, orchestra and organ, opus 8., [?1892-?1941.]

 Item
Identifier: MS.21923
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of Second string quartet in G major by G W Crawford., 1939.

 Item
Identifier: MS.21970
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: 1939.

Full score of 'Segue il suo fido La Rondinella', an aria for contralto, accompanied by oboes and strings, dated Bologna, November 1717., 1717.

 Item
Identifier: MS.9474
Scope and Contents From the Series:

MSS.9447-9458 consist of Scottish and English music, and French lute music, all dating from before 1675. MSS.9459-9469 consist of French music brought to Scotland by James and Harie Maule after their visits to France between 1678 and 1683. MSS.9470-9475 are opera scores and parts acquired by James Maule when in exile in Italy after the 1715 rising.

Dates: 1717.

Full score of 'Shakespeare in Arden’, Opus 15, by Norman Fulton, a divertimento in seven movements for mixed chorus, solo voices and instruments, double string orchestra, piano and percussion., [1951.]

 Item
Identifier: MS.22149
Scope and Contents

The work was commissioned by the Hitchin Civic and Arts Association and first performed at the Hertfordshire Rural Music School, 1951, the name of which is stamped on folio 1.

Dates: [1951.]

Full score of Suite Number 1 in A minor by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21904
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of Symphony number 1 by Ronald Center., 1955.

 Item
Identifier: MS.22186
Scope and Contents From the Series:

The musical compositions consist of final versions (MSS.22171-22186), and sketches, drafts and fragments (MSS.22187-22193). The other papers consist largely of press cuttings.

Dates: 1955.

Full score of Symphony number 5 in B flat by G W Crawford; apparently the first movement only., [?1892-?1941.]

 Item
Identifier: MS.21887
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of the ballet ‘The Sleeping Beauty’ by G W Crawford, with a fair copy of the same., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21927-21928
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of ‘The duenna’ by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21946
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of the march 'The lads of Wamphray' by Percy Grainger, for wind band, composed 1904-1905 and slightly revised 1937., 1904-1905, 1937.

 Item
Identifier: MS.21867
Scope and Contents

Most of the music consists of portions of photostats of his original score (with some amendments in ink) pasted to the leaves of the sheets, with omitted parts and amendments supplied by Percy Grainger. A sheet containing a typed programme note and 'hints to bandmasters' dated 1938 is tipped in at the front. Other notes, both typed and manuscript, are tipped in at the back (folios ii-iv).

Dates: 1904-1905, 1937.

Full score of the overture of ‘The lady of the lake’ by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21952
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of the overture to ‘The Grand Lama’ by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21949
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]