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Scores.

 Subject
Subject Source: Art & Architecture Thesaurus
Scope Note: Original and entire drafts or transcripts of musical compositions or arrangements, typically with the parts of all the different instruments or voices written on staffs one above another, so that they can be read at a glance. Also, musical compositions recorded as a distribution of the parts (Shorter Oxford English Dictionary, 1933).

Found in 315 Collections and/or Records:

Full score of “The rose’s errand’ by G W Crawford, for euphonium solo and military band, composed for and played by the Harrogate Corporation Military Band., 1919.

 Item
Identifier: MS.21932
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: 1919.

Full score of ‘The Sleeping Beauty’ by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21927
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of the suite ‘In varying moods’ by G W Crawford, with piano reduction at the foot of each leaf., [?1892-?1941.]

 Item
Identifier: MS.21906
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score, piano reduction and piano condensation of ‘Coriolanus’ by G W Crawford., [1930, or before.]

 Sub-Series
Identifier: MSS.21888-21889
Scope and Contents

A typed programme note tipped in at the front (folio 1) of MS.21888 records that the first performance of the work was given in the Usher Hall, Edinburgh, 1930, and the second (and first broadcast) performance was given at Bournemouth, 1932. A fragment of the printed programme records the other works played.

Dates: [1930, or before.]

Full score, reduction and parts for Symphony number 4 in A minor, ‘The Scottish’, by G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21885-21886
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score, with a little additional scoring in pencil, of a quintet in B flat for flute, clarinet, horn, bassoon and piano by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21971
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full scores and piano reductions of “’Braw, braw lads’ first Scottish rhapsody” by G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21911-21913
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full scores and piano reductions of ’The duenna’ by G W Crawford, a comic opera in three acts using Sheridan’s play as the libretto., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21946-21947
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full scores and vocal score of ‘The lady of the lake’, an opera in four acts adapted by G W Crawford from the poem by Sir Walter Scott., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21952-21955
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full scores of “’Braw, braw lads’ first Scottish rhapsody” by G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21911-21912
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full scores of the opening chorus, act I, number 1, and the procession and dance, of ‘The Grand Lama’ by G W Crawford; with a piano reduction of an opening chorus with words by Lewis Spence, apparently from another work with the same title., [?1892-?1941.]

 File
Identifier: MS.21951
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full scores of two works of chamber music by David Stephen., 1899, 1920.

 File
Identifier: MS.22158
Scope and Contents

The contents are as follows:

(i) Full score of a work in one movement for string quartet entitled 'Epithalamium', 1920 (folio 1);

(ii) Full score of ‘Trio in B flat major for piano, oboe & horn’, a work in three movements, or sections, composed apparently in 1899, which won the Leslie Alexander Prize and was first performed in 1900 (folio 3).

Dates: 1899, 1920.

Full scores, piano reductions and parts for miscellaneous orchestral dance music by G W Crawford., [?1892-?1941.]

 File
Identifier: MS.21931
Scope and Contents

The contents are as follows:

(i) ‘Apache dance, full score (folio 1) and piano reduction (folio 7);

(ii) ‘Waltz illuminations’ (formerly entitled ‘Fascination’), full score (folio 9) and piano reduction (folio 27);

(iii) ‘Moodbeams waltz', full score (folio 31) and piano reduction (folio 47);

(iv) Valse lente ‘A vision of home’, various parts (folio 53).

Dates: [?1892-?1941.]

‘Gossamer waltz’ by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21929
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]