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Watercolours. Paintings.

 Subject
Subject Source: Art & Architecture Thesaurus
Scope Note: Refers to two-dimensional works of art, usually on a paper support, to which pigment suspended in water is applied with a brush to create an image or design.

Found in 115 Collections and/or Records:

Album containing chiefly full-length figures, posed for formal portraits, in contemporary historical or oriental dress, drawn by Charles Kirkpatrick Sharpe in pencil, ink and watercolours., [Circa 1813.]

 File
Identifier: MS.19407
Scope and Contents From the Series:

The portraits have been cut out of larger sheets or sketchbooks and mounted in albums. Most of the sitters are unidentified. In accordance with Charles Kirkpatrick Sharpe's practice (see ‘Letters from and to Charles Kirkpatrick Sharpe’, volume i, pages 21, 40) the heads are completed in watercolours but the rest of the figure and any background are usually only sketched in pencil.

Dates: [Circa 1813.]

Album of portraits, consisting chiefly of heads only, drawn by Charles Kirkpatrick Sharpe in pencil, ink and watercolours., [Circa 1813.]

 Item
Identifier: MS.19408
Scope and Contents From the Series:

The portraits have been cut out of larger sheets or sketchbooks and mounted in albums. Most of the sitters are unidentified. In accordance with Charles Kirkpatrick Sharpe's practice (see ‘Letters from and to Charles Kirkpatrick Sharpe’, volume i, pages 21, 40) the heads are completed in watercolours but the rest of the figure and any background are usually only sketched in pencil.

Dates: [Circa 1813.]

Album of sketches, chiefly watercolour, some pencil or pen and ink, and lithographs of James Augustus Grant, made on his African expedition with John Hanning Speke., 1860-1863.

 Item
Identifier: MS.17920
Scope and Contents From the Sub-Series:

The sketches include scenes, portraits, objects, and incidents. Some are the source of woodcuts in John Hanning Speke’s ‘Journal of the discovery of the source of the Nile’ 1863, and some of these have notes in Speke’s hand.

Dates: 1860-1863.

Album of sketches, chiefly watercolour, some pencil or pen and ink, of James Augustus Grant, made on his African expedition with John Hanning Speke., 1860-1863.

 Item
Identifier: MS.17919
Scope and Contents From the Sub-Series:

The sketches include scenes, portraits, objects, and incidents. Some are the source of woodcuts in John Hanning Speke’s ‘Journal of the discovery of the source of the Nile’ 1863, and some of these have notes in Speke’s hand.

Dates: 1860-1863.

Albums of sketches, chiefly watercolour, some pencil or pen and ink, of James Augustus Grant, made on his African expedition with John Hanning Speke., 1860-1863.

 Sub-Series
Identifier: MSS.17919-17921
Scope and Contents

The sketches include scenes, portraits, objects, and incidents. Some are the source of woodcuts in John Hanning Speke’s ‘Journal of the discovery of the source of the Nile’ 1863, and some of these have notes in Speke’s hand.

Dates: 1860-1863.

Artwork of the predecessor bodies of Deaf Action., 1976-1995, undated.

 Series
Identifier: Acc.13643/127-129
Scope and Contents From the Collection: Deaf Action is a deaf-led charity which has been operating in Edinburgh since 1835. The Deaf and Dumb Congregation in Edinburgh began meeting together in 1830 following the establishment in the city of schools for deaf children. Braidwood’s Academy for the Deaf was established in 1760 and the Edinburgh Institution [later the Edinburgh Royal Institution] for the Deaf and Dumb in 1810.The Edinburgh Deaf and Dumb Benevolent Society was established in 1835 to assist deaf people in...
Dates: 1976-1995, undated.

Collection consisting chiefly of sketches and drawings by Lieutenant-General G H Hutton, part 1., 1761-1822, undated.

 Sub-Series
Identifier: Adv.MS.30.5.22
Scope and Contents From the Series: The collections is supplemented by a large number of finished drawings (some in colour), a few maps, and some architectural plans and elevations, professionally drawn for Hutton by others, or done as favours by some of his correspondents, together with a number of separately acquired prints, and engraved views cut out from contemporary printed booksThe collection, which was previously bound in two large volumes, was subsequently dismounted and the items individually attached to...
Dates: 1761-1822, undated.

Collection consisting chiefly of sketches and drawings by Lieutenant-General G H Hutton, part 1, box 1., 1789-[circa 1820], undated.

 File
Identifier: Adv.MS.30.5.22 (1 of 7), numbers 1a-7h
Scope and Contents The contents are as follows: Aberdeen (1a) Drawing, undated, probably a prospect of Aberdeen. (1b) Engraving, 1812, ‘Plan of the city and harbour of Aberdeen. and improvements.’, from a copy of the ‘History of Aberdeen’, by Walter Thom, volume 1, preceding the title page. (2a) Drawing, 1815, annotated “Aberdeen [St Machar’s] Cath[edra]l. S. E. view, from a sketch by Mr G. Smith”. (2b) Drawing, 1815, annotated “Aberdeen [St Machar’s] Cathedral – West View – From a sketch by Mr. G....
Dates: 1789-[circa 1820], undated.

Collection consisting chiefly of sketches and drawings by Lieutenant-General G H Hutton, part 1, box 2., 1783-1820, undated.

 File
Identifier: Adv.MS.30.5.22 (2 of 7), numbers 8a-16
Scope and Contents The contents are as follows: Aberdeenshire (8a) Drawing, undated, in ink with areas of wash, of Undy Chapel, ‘by Mr Grimm’ (?1794 if by S H Grimm). (8b) Drawings, 1809, ‘Cape stones on the garden wall of, Inverugie, Castle. The letters GB and date 1670 appear to have been done at a much later period than the sculptured coach, which is probably three or four hundred years older. 9th Novr. 1809.’ (8c) Drawing, undated, ‘Fyvie [Castle] by Mr Cordiner [probably James Cordiner]’. (9a) Sketch,...
Dates: 1783-1820, undated.

Collection consisting chiefly of sketches and drawings by Lieutenant-General G H Hutton, part 1, box 3., 1761-1820.

 File
Identifier: Adv.MS.30.5.22 (3 of 7), numbers 17a-22b
Scope and Contents The contents are as follows: Angus (17a) Drawing, ‘Restennet [i.e Restenneth] Priory, south view, 1785’. Reproduced in ‘The antiquities of Scotland’ by Francis Grose, volume 2, facing page 263. For a rough sketch of this view see (17e verso). (17b) Sketch ‘Restennet [i.e Restenneth] Priory, south west view, Oct. 12 1820.’ (17c) Sketch, ‘[Interior of] Restennet, Priory looking east, 18 Sept. 1814.’ (17d) Sketch, ‘Restennet [i.e Restenneth] Priory – S.W. view, 17th Septr. 1814.’ (17e recto)...
Dates: 1761-1820.

Collection consisting chiefly of sketches and drawings by Lieutenant-General G H Hutton, part 1, box 5., 1789-1815, undated.

 File
Identifier: Adv.MS.30.5.22 (5 of 7), numbers 26e-30c
Scope and Contents The contents are as follows: Argyllshire (26e) Drawing, ‘Monument at Sadael [i.e. Saddell] Abbey, 13 Aug. 1802. It lies within the church, to the east near the burial place of Dugald Campbell Esqr. of Carradale’. (26f) Drawing, ‘Monument of Ronald More Macalaster in Sadael [i.e. Saddell] Abbey, 18 Aug. 1802. He was contemporary with Macdonald of [unclear] in N Cantyre. Another old monument lies close to it, as above deliniated [sic] but I could not procure any information concerning...
Dates: 1789-1815, undated.

Collection consisting chiefly of sketches and drawings by Lieutenant-General G H Hutton, part 1, box 6., 1784-1816, undated.

 File
Identifier: Adv.MS.30.5.22 (6 of 7), numbers 30d-36a
Scope and Contents The contents are as follows: Dumfriesshire (30d) Drawing, [1811], of bell from Holywood Abbey, Dumfriesshire. (30e) Drawing, [1811], of bell, and its inscription, from Holywood Abbey, Dumfriesshire. See also Adv.MS.30.5.23 (187a)-(188b) for rubbings of the bell. (30f) Note, 1811, concerning drawings of bells (30d-30e) from Holywood, Abbey. (30g) Sketch, ‘Stone lying at the west door of the church of Holywood, Oct. 27 1811.’ Berwickshire (31) Plan, 1816, ‘Remains of the old church...
Dates: 1784-1816, undated.

Collection consisting chiefly of sketches and drawings by Lieutenant-General G H Hutton; with original binding., 1781-1820, undated

 Series
Identifier: Adv.MSS.30.5.22-30.5.23
Scope and Contents The collections is supplemented by a large number of finished drawings (some in colour), a few maps, and some architectural plans and elevations, professionally drawn for Hutton by others, or done as favours by some of his correspondents, together with a number of separately acquired prints, and engraved views cut out from contemporary printed booksThe collection, which was previously bound in two large volumes, was subsequently dismounted and the items individually attached to...
Dates: 1781-1820, undated

`Collection of illuminate arms` by Etherington Martyn, volume 1., 1794.

 Item
Identifier: Adv.MS.31.4.1(i)
Scope and Contents From the Series:

In an introductory note (volume 1, folio iv.), Martyn states that many of the arms were unpublished, and taken from seals, drawings, paintings and manuscript blazons; also from a manuscript collection of heraldry `purchased at Mr Cummyngs sale by a Mr Rose`. This probably refers to James Cummyng, herald painter and Lyon Clerk Depute (died 1793). Martyn sometimes gives the source for a particular coat of arms, and occasionally criticises the heraldry.

Dates: 1794.

`Collection of illuminate arms` by Etherington Martyn, volume 2., 1794.

 Item
Identifier: Adv.MS.31.4.1(ii)
Scope and Contents From the Series:

In an introductory note (volume 1, folio iv.), Martyn states that many of the arms were unpublished, and taken from seals, drawings, paintings and manuscript blazons; also from a manuscript collection of heraldry `purchased at Mr Cummyngs sale by a Mr Rose`. This probably refers to James Cummyng, herald painter and Lyon Clerk Depute (died 1793). Martyn sometimes gives the source for a particular coat of arms, and occasionally criticises the heraldry.

Dates: 1794.

Collection of journals and sketchbooks of John Francis Campbell, kept during his travels throughout the world., 1841-1880.

 Series
Identifier: Adv.MSS.50.3.14-50.5.6
Scope and Contents

The volumes reflect, in his detailed descriptions, watercolours and sketches, Campbell’s interest in people, art, science and sport. In the later journals, his interest in geology and meteorology predominates, with particular emphasis on the effects of glaciation observed in various countries.

The sketches usually occur in chronological sequence with notes below each giving the date, place and other additional information.

Dates: 1841-1880.

Collection of papers put together in the mid-nineteenth century by J.B., 1747-early 19th century, undated.

 File
Identifier: MS.20767, folios 118-216
Scope and Contents The contents are as follows: (a) Letters to Robert Chalmers, solicitor, Edinburgh, from his niece Katherine Forbes Crauford, 1768; from the portrait painter Anne Forbes and her mother and sister, 1772-1773, concerning her work in London and including a list of portraits by her; from the Countess of Dumfries, 1788, and from David Rae (later Lord Eskgrove), undated, concerning admission to the Select Society (folio 118); (b) Epigram, 1747, on, and letter and poems, 1770-1777, undated, of, Mrs...
Dates: 1747-early 19th century, undated.

Collections of drawings consisting chiefly of watercolour and pencil sketches., 1844-1870, undated.

 Series
Identifier: MSS.15170-15175
Scope and Contents From the Fonds:

The collection consists chiefly of correspondence and papers relating to politics, especially colonial matters, and to estate and family affairs. Both Edward Ellice and his son were influential Liberal Members of Parliament who owned substantial estates in Scotland, Canada, America and the West Indies.

Dates: 1844-1870, undated.

Commonplace book of Lady Caroline Lamb., 1810.

 Item
Identifier: MS.43365
Scope and Contents From the Sub-Series:

Two commonplace books of Lady Caroline Lamb. The first, the 'green book', contains poems, literary passages, sketches, watercolours, and translations from Greek, among other entries. The second, the 'blue book’, is addressed to Lord Byron, with whom Lamb had a disastrous affair in 1812. She compiled the 'blue book' as a commemoration of their affair and it contains letters to the poet, as well poems, prose passages and watercolours.

Dates: 1810.

Drawing and two watercolours by Thomas Stothard, Member of the Royal Academy of Arts., [Circa 1793], 1831, undated.

 File
Identifier: MS.9754, folios 28-30
Scope and Contents

The drawing, called "The Cottar's family", and the watercolour on folio 30, an illustration for the poem 'William and Margaret' once ascribed to David Mallet, were both apparently commissioned for George Thomson.

Dates: [Circa 1793], 1831, undated.