Watercolours. Paintings.
Found in 115 Collections and/or Records:
Album containing chiefly full-length figures, posed for formal portraits, in contemporary historical or oriental dress, drawn by Charles Kirkpatrick Sharpe in pencil, ink and watercolours., [Circa 1813.]
The portraits have been cut out of larger sheets or sketchbooks and mounted in albums. Most of the sitters are unidentified. In accordance with Charles Kirkpatrick Sharpe's practice (see ‘Letters from and to Charles Kirkpatrick Sharpe’, volume i, pages 21, 40) the heads are completed in watercolours but the rest of the figure and any background are usually only sketched in pencil.
Album containing pencil drawings, water-colours, and poems by Edward Lear., 1829, undated.
Album of portraits, consisting chiefly of heads only, drawn by Charles Kirkpatrick Sharpe in pencil, ink and watercolours., [Circa 1813.]
The portraits have been cut out of larger sheets or sketchbooks and mounted in albums. Most of the sitters are unidentified. In accordance with Charles Kirkpatrick Sharpe's practice (see ‘Letters from and to Charles Kirkpatrick Sharpe’, volume i, pages 21, 40) the heads are completed in watercolours but the rest of the figure and any background are usually only sketched in pencil.
Album of sketches, chiefly watercolour, some pencil or pen and ink, and lithographs of James Augustus Grant, made on his African expedition with John Hanning Speke., 1860-1863.
The sketches include scenes, portraits, objects, and incidents. Some are the source of woodcuts in John Hanning Speke’s ‘Journal of the discovery of the source of the Nile’ 1863, and some of these have notes in Speke’s hand.
Album of sketches, chiefly watercolour, some pencil or pen and ink, of James Augustus Grant, made on his African expedition with John Hanning Speke., 1860-1863.
The sketches include scenes, portraits, objects, and incidents. Some are the source of woodcuts in John Hanning Speke’s ‘Journal of the discovery of the source of the Nile’ 1863, and some of these have notes in Speke’s hand.
Albums of sketches, chiefly watercolour, some pencil or pen and ink, of James Augustus Grant, made on his African expedition with John Hanning Speke., 1860-1863.
The sketches include scenes, portraits, objects, and incidents. Some are the source of woodcuts in John Hanning Speke’s ‘Journal of the discovery of the source of the Nile’ 1863, and some of these have notes in Speke’s hand.
Artwork of the predecessor bodies of Deaf Action., 1976-1995, undated.
Book of plans for alterations to Pitfirrane House, designed by John Paterson, Architect, Edinburgh., 1811.
The plans are painted in water-colour and notes by the architect are given on folio 12.
Boxes of watercolour paintings of Isobel Wylie Hutchison., Undated.
Includes diaries and photographs.
‘Catalogue and succession of the Kings ... of this Realme of England' ([London], 1622), by Ralph Brooke., 1622, [circa 1804].
The notes by John Borthwick include some observations by Thomas Hamilton, Lord Binning, on the claims of the Borthwicks of Crookston to the title of Lord Borthwick (folio 1 verso).
Collection consisting chiefly of sketches and drawings by Lieutenant-General G H Hutton, part 1., 1761-1822, undated.
Collection consisting chiefly of sketches and drawings by Lieutenant-General G H Hutton, part 1, box 1., 1789-[circa 1820], undated.
Collection consisting chiefly of sketches and drawings by Lieutenant-General G H Hutton, part 1, box 2., 1783-1820, undated.
Collection consisting chiefly of sketches and drawings by Lieutenant-General G H Hutton, part 1, box 3., 1761-1820.
Collection consisting chiefly of sketches and drawings by Lieutenant-General G H Hutton, part 1, box 5., 1789-1815, undated.
Collection consisting chiefly of sketches and drawings by Lieutenant-General G H Hutton, part 1, box 6., 1784-1816, undated.
Collection consisting chiefly of sketches and drawings by Lieutenant-General G H Hutton; with original binding., 1781-1820, undated
`Collection of illuminate arms` by Etherington Martyn, volume 1., 1794.
In an introductory note (volume 1, folio iv.), Martyn states that many of the arms were unpublished, and taken from seals, drawings, paintings and manuscript blazons; also from a manuscript collection of heraldry `purchased at Mr Cummyngs sale by a Mr Rose`. This probably refers to James Cummyng, herald painter and Lyon Clerk Depute (died 1793). Martyn sometimes gives the source for a particular coat of arms, and occasionally criticises the heraldry.
`Collection of illuminate arms` by Etherington Martyn, volume 2., 1794.
In an introductory note (volume 1, folio iv.), Martyn states that many of the arms were unpublished, and taken from seals, drawings, paintings and manuscript blazons; also from a manuscript collection of heraldry `purchased at Mr Cummyngs sale by a Mr Rose`. This probably refers to James Cummyng, herald painter and Lyon Clerk Depute (died 1793). Martyn sometimes gives the source for a particular coat of arms, and occasionally criticises the heraldry.
Collection of journals and sketchbooks of John Francis Campbell, kept during his travels throughout the world., 1841-1880.
The volumes reflect, in his detailed descriptions, watercolours and sketches, Campbell’s interest in people, art, science and sport. In the later journals, his interest in geology and meteorology predominates, with particular emphasis on the effects of glaciation observed in various countries.
The sketches usually occur in chronological sequence with notes below each giving the date, place and other additional information.
Collection of papers put together in the mid-nineteenth century by J.B., 1747-early 19th century, undated.
Collections of drawings consisting chiefly of watercolour and pencil sketches., 1844-1870, undated.
The collection consists chiefly of correspondence and papers relating to politics, especially colonial matters, and to estate and family affairs. Both Edward Ellice and his son were influential Liberal Members of Parliament who owned substantial estates in Scotland, Canada, America and the West Indies.
Collections of Tales for the ‘Popular Tales of the West Highlands’ project, with related correspondence and other papers.
The terms, `Gaelic version` or `English version` refer to the original manuscript texts produced by (`transcribed by` or `told to`) one of his team of collectors or by Campbell. Unless stated otherwise, all English versions of the tales and textual notes are the work of Campbell.
Commonplace book of Lady Caroline Lamb., 1810.
Two commonplace books of Lady Caroline Lamb. The first, the 'green book', contains poems, literary passages, sketches, watercolours, and translations from Greek, among other entries. The second, the 'blue book’, is addressed to Lord Byron, with whom Lamb had a disastrous affair in 1812. She compiled the 'blue book' as a commemoration of their affair and it contains letters to the poet, as well poems, prose passages and watercolours.
Drawing and two watercolours by Thomas Stothard, Member of the Royal Academy of Arts., [Circa 1793], 1831, undated.
The drawing, called "The Cottar's family", and the watercolour on folio 30, an illustration for the poem 'William and Margaret' once ascribed to David Mallet, were both apparently commissioned for George Thomson.