Rankin, Ian James (crime writer)
Dates
- Existence: b 1960
- Usage: 1993-1995. - 1995
Found in 151 Collections and/or Records:
Developmental materials of Ian Rankin for various creative works, including contact details and working notes., Circa 1985-2012.
Developmental materials of Ian Rankin for various creative works, including contact details, working notes, research, and press cuttings; report on marketing research project on Ian Rankin., 1983-2012, undated.
This series contains various developmental materials of Ian Rankin for various creative works. Materials include contact details, working notes, research, and press cuttings. Also included is a report on a marketing research project on Ian Rankin.
Developmental materials of Ian Rankin for various unpublished or unidentified creative works, including notes and press cuttings., Circa 1985-2012.
This series contains various developmental materials of Ian Rankin for various creative works. Materials include contact details, working notes, research, and press cuttings. Also included is a report on a marketing research project on Ian Rankin.
Developmental materials of Ian Rankin on his PhD thesis on Muriel Spark., 1962-1990.
This series contains manuscripts of, and associated working papers for, Ian Rankin’s PhD thesis on Muriel Spark for the University of Edinburgh. The working papers include extensive research notes, press cuttings, and other research materials collected by Rankin, as well as correspondence and other contact between Rankin and his PhD supervisor. Also included are administrative materials of the University of Edinburgh regarding postgraduate studies.
Developmental notes, 1992, of Ian Rankin and Beth Porter for screenplay 'Quality of Life', Episode 1 of the BBC’s adaptation ‘Rebus’., 1992.
Developmental notes and administrative materials relating to ‘Rebus’s Scotland: An exploration by Ian Rankin'., 1945-2005.
Developmental notes of Ian Rankin and others for his graphic novel ‘Dark Entries’; with related press cutting and business card., Circa 2006-2008.
Developmental notes of Ian Rankin and others for his television serial 'Lazarus'; with related press cuttings collected as research., 1997-2000.
Developmental notes of Ian Rankin for his full-length novel ‘Doors Open’., 2007-2008.
Developmental notes of Ian Rankin for his novel ‘A Question of Blood’., 2001-2003.
Developmental notes of Ian Rankin for his novel ‘Black and Blue’., 1994-1996.
Developmental notes of Ian Rankin for his novel ‘Black and Blue’; with related promotional materials., 1994-1996.
Manuscripts, typescripts, and working papers of the Rebus novels by Ian Rankin.
Developmental notes of Ian Rankin for his novel ‘Bleeding Hearts’., 1993-1994.
Developmental notes of Ian Rankin for his novel ‘Blood Hunt’; with press cuttings collected by Rankin as research for the novel, and a synopses of and cover proofs for the novel., 1992-2000.
Developmental notes of Ian Rankin for his novel ‘Dead Souls’., 1997-1999.
Developmental notes of Ian Rankin for his novel ‘Even Dogs in the Wild’; with press cuttings collected by Rankin as research for the novel., 2013-2015.
Developmental notes of Ian Rankin for his novel ‘Exit Music’., 2006-2007.
Developmental notes of Ian Rankin for his novel ‘Fleshmarket Close’., 2002-2004.
Developmental notes of Ian Rankin for his novel ‘Let It Bleed’., 1994-1995.
Developmental notes of Ian Rankin for his novel ‘Mortal Causes’., 1985-1994.
Developmental notes of Ian Rankin for his novel ‘Rather Be the Devil’; with related press cuttings collected by Rankin as research., 2015-2016.
Developmental notes of Ian Rankin for his novel ‘Resurrection Men’; with related press cuttings and leaflets collected by Rankin as research., 2000-2001.
Developmental notes of Ian Rankin for his novel ‘Saints of the Shadow Bible’. , 2013.
Developmental notes of Ian Rankin for his novel "Standing in Another Man’s Grave"., 2011-2012.
The notes include research and working notes of Rankin. Most of the notes are undated. The distinction between the notes and drafts is often unclear. Some notes have been revisited and subsequently annotated by Rankin as his development of the novel progressed. As far as possible, evidence of development and changes in theme and plot have been used to inform the arrangement.