Skip to main content

Scores.

 Subject
Subject Source: Art & Architecture Thesaurus
Scope Note: Original and entire drafts or transcripts of musical compositions or arrangements, typically with the parts of all the different instruments or voices written on staffs one above another, so that they can be read at a glance. Also, musical compositions recorded as a distribution of the parts (Shorter Oxford English Dictionary, 1933).

Found in 315 Collections and/or Records:

Full score of a trio for oboe, cor anglais (or clarinet) and bassoon by G W Crawford; with a transcription of the cor anglais part for B flat clarinet., 1913.

 Item
Identifier: MS.21969
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: 1913.

Full score of a work for wind band entitled 'Commemoration march "C.D.T. 1903"' by David Stephen., 1913.

 Item
Identifier: MS.22156
Scope and Contents

Composed or completed in 1913 'to commemorate the tenth anniversary of the foundation of the Carnegie Dunfermline Trust', according to a note tipped in inside the front cover (folio i), and dedicated to its members.

Dates: 1913.

Full score of acts I and II of ‘The lady of the lake’ by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21953
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of acts III and IV of ‘The lady of the lake’ by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21954
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of “’Braw, braw lads’ first Scottish rhapsody” by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21911
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of “’Braw, braw lads’ first Scottish rhapsody” by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21912
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of ‘Cambria’ by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21902
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of ‘Celia’, a pastoral opera in two scenes and a tableau, by G W Crawford., 1895.

 Item
Identifier: MS.21936
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: 1895.

Full score of ‘Cinderella’ by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21925
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of ‘Cleopatra’ by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21944
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score of ‘Coriolanus’ by G W Crawford., [1930, or before.]

 File
Identifier: MS.21888
Scope and Contents From the Sub-Series:

A typed programme note tipped in at the front (folio 1) of MS.21888 records that the first performance of the work was given in the Usher Hall, Edinburgh, 1930, and the second (and first broadcast) performance was given at Bournemouth, 1932. A fragment of the printed programme records the other works played.

Dates: [1930, or before.]

Full score of 'Cromer' suite for orchestra., 1916-1917, 1922, 1936.

 File
Identifier: MS.21986
Scope and Contents

According to a note at folio i the greater part of the work was sketched in 1916-1917 when W B Moonie was billeted in Cromer, to which town the work is dedicated. It was completed in 1922 (folio 57).

A photogravure of an unidentified interior is pasted inside the front cover and a press-cutting, 1936, showing the ruins of Inchmahome Priory is pasted inside the back cover.

Dates: 1916-1917, 1922, 1936.

Full score of ‘Gehazi’, 1892, by G W Crawford, revised, 1894., 1892, 1894.

 Item
Identifier: MS.21958
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: 1892, 1894.