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Scores.

 Subject
Subject Source: Art & Architecture Thesaurus
Scope Note: Original and entire drafts or transcripts of musical compositions or arrangements, typically with the parts of all the different instruments or voices written on staffs one above another, so that they can be read at a glance. Also, musical compositions recorded as a distribution of the parts (Shorter Oxford English Dictionary, 1933).

Found in 315 Collections and/or Records:

Full opera score of Rigoletto by Giuseppe Verdi with German libretto.

 Item
Identifier: Acc.14056/1-3
Scope and Contents A score in three volumes, written in Germany with the libretto translated into German. The copy is the work of several copyists, none of whom has been identified. The numbering of sections in the manuscript corresponds to the numbering found in Verdi's autograph rather than the printed editions of the opera. The German translation is that of Ricordi's edition of 1852. First German-language performances of Rigoletto took place in 1853. Consistent with the...
Dates: ca. 1855

Full score and piano reduction for the ballet ‘Cinderella’ by G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21925-21926
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score and piano reduction of ‘A Scottish lassie’ by G W Crawford., [?1892-?1941.]

 File
Identifier: MS.21919
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score and piano reduction of ‘Cambria’, a Welsh rhapsody (previously styled Welsh tone poem), by G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21902-21903
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score and piano reduction of ‘Cleopatra’ by G W Crawford, a miniature tragic opera in one act, with libretto by Graham K Maude and Harold Simpson., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21944-21945
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score and piano reduction of ‘The magic mirror’ by G W Crawford, an overture to a musical play by W R Meredith., [?1892-?1941.]

 File
Identifier: MS.21899
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score and piano reduction of ‘The red flag’ by G W Crawford., [?1892-?1941.]

 File
Identifier: MS.21898
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score and piano score for “’Bonnie Charlie’ second Scottish rhapsody” by G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21914-21915
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score and reduction of Symphony number 1 by G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21881-21882
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score and reduction of Symphony number 3 in A minor by G W Crawford., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21883-21884
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score and reductions of ‘Undine’ by G W Crawford., 1939.

 Sub-Series
Identifier: MSS.21893-21894
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: 1939.

Full score and vocal score of ‘Gehazi’, a ‘dramatic sacred cantata in two acts, the words written and adapted from the Bible’ [from the Second Book of Kings] by G W Crawford., 1892.

 Sub-Series
Identifier: MSS.21958-21959
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: 1892.

Full score and vocal score of incidental music of G W Crawford for 'Zoe the Gypsy', with words by Lewis Spence., [?1892-?1941.]

 Sub-Series
Identifier: MSS.21965-21966
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score, arrangements and piano accompaniment for ‘Cauld kail het’, a selection of Scots songs by G W Crawford., 1914.

 Sub-Series
Identifier: MSS.21917-21918
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: 1914.

Full score for “’Bonnie Charlie’ second Scottish rhapsody” by G W Crawford., [?1892-?1941.]

 Item
Identifier: MS.21914
Scope and Contents From the Series: Most of the compositions of G W Crawford are written on a large scale and the collection consists chiefly of full scores, piano reductions and orchestral parts. There are very few drafts or sketches: almost all the compositions are in their final form, and many are in the hands of copyists. Most of the works are undated. Those dates that appear (usually on the last page or leaf) range from 1892 to 1941, but it is rarely clear whether these are of composition, revision or performance. Almost...
Dates: [?1892-?1941.]

Full score in pencil of the Symphony Number II, Opus 34 by William Wordsworth, with corrections. , 1947-1948.

 Item
Identifier: MS.22095
Scope and Contents

This work took the first prize in the competition organized by the Edinburgh International Festival Society in 1950.

Dates: 1947-1948.